Posts Tagged ‘Metropia’

Mrs. Zombie’s Top 20 Best Movies of 2009

Thursday, December 31st, 2009

Hey all. Since Mr. Zombie did a list of his top movies in 2009, I decided to make one as well. You can read his article here. I just couldn’t stop at 10 movies, because I didn’t have the heart not to mention all of these great films. So here are my top 20 best movies of 2009. Surprisingly it has been an interesting movie year especially for animation, comedy and science fiction.

SPECIAL MENTION: I KILLED MY MOTHER (J’ai tué ma mère)

I felt compelled to include this film to my list. Firstly because it’s a damn fine movie about a young homosexual boy and his relationship to his mother. Secondly for it’s amazingly well written script, and finally because of who made it. Xavier Dolan is a 20 year old Canadian kid who wrote, directed, produced and played the main character, all of which he did impeccably. If this is what he can do with his debut film at the age of 20, what can he do in 10 years time..?

20. STAR TREK

J.J. Abrams’s reboot or prequel to the famous series is definitely the most entertaining movie of the year. Chris Pine as Kirk and Zachary Quinto as Spock are absolutely perfectly casted, and the chemistry between the two characters is what keeps the movie going. I also really liked the way the movie looked, even (or especially) the audience blinding lens flares and white mac/apple like bridge. We can probably expect at least two sequels to the movie which I of course embrace with open arms.

19. THIRST (Bakjwi)

Thirst is a vampire movie with a twist. Director Chan-wook Park’s interpretation of the vampire genre was refreshingly different. In the movie a failed medical experiment turns a man of faith into a vampire. I loved the fact that being a vampire wasn’t glorified at all, but the condition was a decease more than anything. I also love Park’s dark sense of humor. So weather you’re a fan of the genre or not, this is a must see vampire movie of the year.

18. NORTH (Nord)

North is a heart warming and hilarious road-movie from Norway. It made me laugh like crazy. Following a nervous breakdown, ski athlete Jomar has isolated himself in a lonely existence as the guard of a ski park. When he learns that he might be the father of a child way up north, he sets on a strange and poetic journey through Norway on a snowmobile, with 5 liters of alcohol as sole provisions. Feel good movie of the year!

17. IN THE LOOP

In the Loop is directed by Armando Iannucci and it is a spinoff from the BBC TV series The Thick of It. In the film, the President of the United States and the Prime Minister of the United Kingdom are looking to launch a war in the Middle East. The plot follows government officials and advisers in their behind-the-scenes efforts either to promote the war or prevent it. It stars Peter CapaldiTom Hollander and James Gandolfini. Amazingly funny political satire.

16. THE MESSENGER

The Messenger is the directorial debut of Oren Moverman and that shows a little bit, but he is either an amazing actor director or he just casted the perfect people for the perfect roles. Either or, the films true magic lies in the performances by Woody Harrelson and Ben Foster. Foster plays Will Montgomery, a U.S. Army Staff Sergeant who has returned home from Iraq, and is assigned to the Army’s Casualty Notification service. Montgomery is partnered with Captain Tony Stone (Woody Harrelson), to give notice to the families of fallen soldiers.

15. THE HANGOVER

The Hangover is almost a perfect comedy. It goes a little over the top, but other than that it is a super funny and crazy comedy with a surprisingly good script. Starring Bradley Cooper, Zach Galifianakis and my favorite actor from The OfficeEd Helms. The plot follows four friends who travel to Las Vegas for a bachelor party, only to wake up the next morning not remembering a thing and missing the groom, whose wedding is scheduled to occur the next day. The best part is that the film was inspired by the filmmakers’ real life misadventures. LOL.

14. METROPIA

Metropia is a beautiful and very weird looking animation from Sweden and it is directed by Tarik Saleh. The very impressing voice cast includes Vincent Gallo, Juliette Lewis, Stellan Skarsgård, Alexander Skarsgård and Udo Kier. Metropia takes place in a not-so-distant future. The world is running out of oil and the undergrounds have been connected into a gigantic subway network beneath Europe. Whenever Roger (Vincent Gallo) from Stockholm enters this system he hears a stranger’s voice in his head. He looks to the mysterious Nina (Juliette Lewis) to help him escape the disturbing web of the Metro, but the farther they travel, the deeper he’s involved in a dark conspiracy.

Read my full review here.

13. (500) DAYS OF SUMMER

(500) Days of Summer is one of the most original and best written scripts of the year, and a desperately needed boost to the romantic comedy genre. In the beginning of the movie it is clearly stated that this is not love story. And that’s exactly what you get. An offbeat romantic comedy about a woman who doesn’t believe true love exists, and the young man who falls for her. Starring Joseph Gordon-Levitt and Zooey Deschanel.

12. PONYO (Gake no ue no Ponyo)

There’s just no one like Hayao Miyazaki when it comes to animation. In Ponyo the plot centers on a goldfish named Ponyo who befriends a five-year-old human boy, Sōsuke, and wants to become a human girl. So it is almost like a reconstruction of the classic tale of Little Mermaid. Fantastically told story and the beautiful animation are true Miyazaki trade marks. Ponyo is an absolute must for all Miyazaki fans.

11. DEAD SNOW (Død snø)

Dead Snow is a Norwegian nazi zombie movie that is one of the funniest and entertaining movies of the year and most definitely the best zombie film of the year. I can’t remember when was the last time I laughed so hard during a movie. Director Tommy Wirkola has found the perfect balance mixing pure comedy, horror and slasher genres. In the story a ski vacation turns horrific for a group of medical students, as they find themselves confronted by an unimaginable menace: Nazi zombies.

Here’s Timo’s review of Dead Snow.

10. THE ROAD

The Road is a hopeless and sad post-apocalyptic tale of a man (Viggo Mortensen) and his son (Kodi Smit-McPhee) trying to survive by any means possible in a world where most of the population has died and the world is dying along with them. The rusty and beautiful production design appealed to especially. Directed by John Hillcoat and based on a novel by Cormac McCarthy, whose masterpiece No Country for Old Men was adapted to the silver screen by the Coen brothers in 2007.

9. THE HURT LOCKER

The Hurt Locker wasn’t a very big success financially, but has received praise and numerous awards from all over the world and it is also a very strong candidate for this years Oscar race. The movie is set during the Iraq war and focuses on an elite Army bomb squad. The theme of the movie is clearly stated in the quote from War Is a Force That Gives Us Meaning that opens the film: “The rush of battle is a potent and often lethal addiction, for war is a drug”. The best part for me was the performance of Jeremy Renner who was absolutely amazing in portraying a war-addicted SSgt. William James. No doubt The Hurt Locker is director Kathryn Bigelow’s best work to date.

8. THE WHITE RIBBON (Das weisse Band – Eine deutsche Kindergeschichte)

The most powerful and visual work Michael Haneke has ever done and definitely one of his best, although not my personal favorite from his body of work. It premiered at the Cannes Film Festival in May 2009 where it won the Palme d’Or. The story is set in a village in northern Germany just before World War I and according to Haneke himself, the film is about the origin of every type of terrorism, be it of political or religious nature.

7. MOON

Moon is set in future where the worlds energy crisis has been solved by using resources found from the moon. It is a story about a solitary lunar employee who experiences a personal crisis as his three-year contract nears it’s end. It is an amazing directorial debut from Duncan Jones, and one of the best scifi movies of the year. Sam Rockwell is made for the role of Sam Bell and Kevin Spacey as the voice of GERTY was the icing on the near perfect cake.

6. UP

Up is probably the best movie Pixar has ever done and I wouldn’t be surprised if it gets a lot of attention at the Academy awards this year. Maybe even the first animation to win Best Picture… The first 20 minutes of the film are amazingly moving and the whole feel and over all look of the movie is just spectacular. Especially in 3D. They did go a bit over the top into to just being entertaining and silly with the talking dogs etc, but that aside, Up is a great piece of animation art with a great story to go with it.

5. MARY AND MAX

After I saw Up I thought that nothing could be better than that, and then along came Mary and Max. An Australian animation (stopmotion claymation) from Melodrama Pictures. It’s a story of a friendship between two unlikely pen pals: Mary (Toni Collette), a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max (Philip Seymour Hoffman), a forty-four-year old, severely obese man living in New York. The movie looks absolutely amazing, has a touching and sad story, but it is good to keep in mind that it is not for kids.

4. INGLOURIOUS BASTERDS

The enjoyment I got from watching Tarantino’s Inglourious Basterds is just unbelievable. Most definitely one of Quantin Tarantino’s best work to date. The opening scene of the movie is probably the best of the year, only competing with the Tavern scene that came a bit later. As a viewer I felt my intelligence was respected especially with the use of language in the film. Also Christoph Waltz brought the house down with his performance of Col. Hans Landa. Tarantino’s movie is entertaining, smart, bold and unapologetic. Just the way I like it!

Here’s my full review.

3. AVATAR

Avatar is director James Cameron’s first film in 12 years after Titanic and it was well worth the wait. For me Avatar was the movie experience of the year. I felt like a little kid again watching Jurassic Park or Indiana Jones for the first time. The revolutionary 3D technology used in the movie was just extraordinary and it set a pretty big bench mark for all film makers. I also liked the story a lot, it was a good old fashion epic adventure movie that will will be talked about for years to come. I for one feel privileged to have witnessed the birth of a phenomenon!

Here’s my full review.

2. A SERIOUS MAN

After I saw A Serious Man, I said that I’m officially elevating the Coen Brothers to God status. The movie is so well written, it just blew my mind! Best script of the year hands down. A Serious Man is also a movie you could only do after winning an Oscar. Meaning that the fairly unknown cast, religious subject matter and dark under tones of the story might not go too well with studio executives (or distributors for that matter) other wise. And even now it was made only with 7 million dollars. But who needs tons of money with this kind of visionaries behind the camera.

1. LOOKING FOR ERIC

I have to say it wasn’t easy to decide between A Serious Man and Ken Loach’s Looking for Eric, but after a long consideration I chose the latter because of the pure originality and warmth that the movie offers. In the film, Eric a football fanatic postman whose life is descending in to crisis receives some life coaching from the famously philosophical Eric Cantona. The movie is moving, funny and serious all at the same time. Eric Cantona is so awesome in this movie I can’t even tell you. Also great performances from the whole cast. An absolutely perfect film and the must see movie of the year!

—————-

ALSO GOOD THIS YEAR:

Adventureland
The Box
Coraline
District 9
The Informant!
Mammoth

—————-

And in case you are wondering why some films are missing from my list, keep in mind that I haven’t yet seen these (all of which I’m desperately eager to see):

Bad Lieutenant: Port of Call New Orleans
An Education
Fantastic Mr. Fox
The Imaginarium of Doctor Parnassus
The Lovely Bones
Precious: Based on the Novel Push by Sapphire
A Single Man
Up in the Air
Where the Wild Things Are

That’s it. What were your favorite films of 2009? Drop a comment below.

The Zombies want to wish you a happy New Year 2010!

Mr. Zombie’s Top 10 films of 2009

Thursday, December 24th, 2009

SPECIAL MENTION: STAR TREK & DISTRICT 9

Star Trek and District 9 were surprisingly similar films in many ways. At first, they felt like a bite out of a fresh apple, but slowly they started to taste mealier, ditching head first into a pool of cliches and unanswered expectations. Visually, both were outstanding – at first. District 9 ran out of money somewhere around the midpoint, and JJ Abram’s visions of running around on powerplants and blinding the audience with lens flares became too apparent by the end.

And finally, both had quite amazing marketing campaings: Star Trek was sold to me as a teen gay drama in space, and District 9 as a harsh commentary on prejudicament and western immigration politics. Unfortunately, neither of the films eventually responded to things that made me interested. But they were both definitively remarkable films, and deserve to be mentioned.

10. METROPIA

Whine, whine, boo-hoo it was boring, the story was crappy, the world was shitty and nothing happened in it. Wrong. It was a great film, the atmosphere was amazing, the story was maybe the strangest and wildest of the whole year and the cast was excellent. Metropia was not flawless, but a brave, ambitious and exactly what the world of animation needs – completely different from Pixar/Dreamworks dominating the market nowadays. I think we’ll see loads of groundbreaking films from the director Tarik Saleh in the future. So quit whining and respect the film!

Here’s Essi‘s review of Metropia.

9. UP!

Pixar never fails. I love everything they’ve done so far, even Cars, and Up! didn’t let me down. The first 20 minutes of the film is easilly the best and most moving 20 minutes in 2009 – hell, maybe in 2000′s. Unfortunately, as the film takes the absurd Pixarian twist, surprisingly enough the story doesn’t live up to the expectations (which is strange, since usually it’s exactly the absurdity that makes their films so excellent). Nevertheless, Up! is a lovely story and Edward Asner delivers one of the best lead performances of the year as the old man Carl Fredricksen. And as a viewer, I feel like somebody respects my time, unlike with most of Dreamwork’s pieces of shit they keep on spitting on the big screen every year.

(BTW. Ever wondered what’s the main difference between Pixar and Dreamworks? Well, here’s quite a good explanation.)

8. CORALINE

Stop-motion 3D animation is here to stay, and Coraline is a living proof that you don’t need a CGI-rendered animation when you have a visionary director working on a story that’s based on a book by one of the greatest modern storytellers. Those being, of course, Neil Gaiman and Henry Selick, in reverse order. Coraline is fun, atmospheric, brave, experimental, beautiful and dark and creepy enough! It’s a humble courtesy for the animaton lovers.

7. AVATAR

The film looks like one of those creepy airbrush-painted dolphin posters that were quite popular in among the most tasteless of us back in early 90′s. The story may not be the most original one – hell, you know exactly what’s going to happen from the very first minutes, and if not, make sure to watch a trailer, it’ll spoil the rest for you. But still, it’s a honest work of love from the grown-up nerd James Cameron, and if you’re able to leave behind the cynicism that’s probably fueling your lost fight against mediocrity, the film is quite damn enjoyable. Most importantly, it’s a film that will last quite long, and spawn heaps of sequels, TV-serieses, cool merchandising – and create a massive fanbase around it. You should enjoy it while you still can – it’s either theaters now, or never on your home telly. The 3D environment is such a big element of the whole film that watching it in 2D is almost like watching bad quality internet porn instead of… Well, the real thing.

Here’s Essi’s review of Avatar.

6. PONYO

The overlord Hayao Miyazaki is back, and takes a dive into the story of the Little Mermaid, giving it a surreal and fantastic twist, and delivering another masterpiece into a long line of masterpieces from the Ghibli Studios. Ponyo felt completely different from any other animation this year – honest and loving in a way only Miyazaki can do. His style is unique, and we sure should hope he stays in good enough shape to make at least few more, because as much as there’s nobody to step in for mr. David Lynch once his time is up, also Miyazaki is unique in this way.

5. MARY AND MAX

“So, you want to make a monochromatic animation about mental illnesses, and you want an all-star cast to it? Yeah, good luck with the funding…” Mary and Max was one of the biggest and most positive surprises – no, out-of-the-blues – this year. It’s a really touching, intelligent and extremely well-written animation about a life-long friendship between a girl in Australia and a man in New York. The story follows the letter exchange between these two, and builds up two perfectly believeable lives with all of the stranger-than-fiction odds and quirks life brings to you.

4. INGLOURIOUS BASTERDS

To be honest, I was a bit bored with Quentin Tarantino before watching Inglourious Basterds. I mean ever since Jackie Brown, his films haven’t been that impressive, and I started to feel like he had “found his slot” in the industry and descended from this once so promising young director into another retro freak repeating the same joke film after film. But I was wrong. Inglourious Basterds proved that there’s quite a lot of gunpowder still running through his veins, and he’s brave enough to do a film that’s basically long dialogues following each other, seasoned with hefty dozes of sudden violence. And there’s never enough of alternate history movies out there.

Here’s Essi’s review of Inglourious Basterds.

We got so excited about the film that we even did our own version of the trailer – sort of :) Enjoy “Iroun Sky Basterds”!

3. MOON

Semi-hard science fiction with slow pacing, great music, awesome performance and close relations to my next film, Iron Sky, when it comes to Moon as an environment, and Helium-3 as a new target for pure humane greed. Moon is the directioral debute for Duncan Jones who, with this film, catapulted himself among the most interesting directors of the next century. It was recently announced that he will direct the feature film adaptation of Escape from the Deep: The Epic Story of a Legendary Submarine and Her Courageous Crew by Alex Kershaw. Jones also revealed that he will be doing “another science fiction film, called Mute, which takes place in a future Berlin. It’s a Blade Runner-inspired piece, a little love letter to that film.” And he will also direct Summit Entertainment project Source Code, a Science-Fiction thriller from Vendome Pictures, which will be produced by Mark Gordon. Actor Jake Gyllenhaal is in negotiations to play a major role in the film. So there you go, quite interesting films – and Duncan Jones is also a very active Twitterer.

2. A SERIOUS MAN

The Coen Brothers are able to “tilt my camera”, so to speak, so that suddenly everything around me feels a bit stranger and makes a little bit less sense, making life a little bit more exciting experience. A Serious Man was definitively one of those films – but it’s also a film you can do with two conditions: you need to be Jewish, and you need to have an Oscar to prove you know what you’re doing. Otherwise, you’d end up lynched.

1. DEAD SNOW

We’ve been raving about Dead Snow enough for one one year already, and to be honest, I’m not even sure if the film’s actual official release year is 2009 (that’s what IMDB claims, though, but I saw it in 2008 already) but who the hell cares? I just can’t get enough of the Norwegian Nazi Zombies, and Tommy Wirkola‘s excellent timing in both comedy and horror genres is stellar. He’s among the few directors I’m following very closely, and I’m very interested to see how his next film, Hansel and Gretel: Witch Hunters, turns out!

Here’s my review of Dead Snow.

Everyone – have a merry christmas, and remember not to go outside after dark – who knows what’s lurking there!

Zombie Room Review: Metropia (2009)

Thursday, October 8th, 2009

ZombieRoom_Review_Metropia

I remember when I first came to contact with Metropia. It was trough our favorite movie site Twitch and I instantly fell in love with the cool visual style of the movie. Since then I have been eagerly anticipating to see it. Finally at Love & Anarchy film festival the Zombies got to see it.

First check out the trailers below.

Metropia takes place in a not-so-distant future. The world is running out of oil and the undergrounds have been connected into a gigantic subway network beneath Europe. Whenever Roger (Vincent Gallo) from Stockholm enters this system he hears a stranger’s voice in his head. He looks to the mysterious Nina (Juliette Lewis) to help him escape the disturbing web of the Metro, but the farther they travel, the deeper he’s involved in a dark conspiracy.

Director Tarik Saleh’s Metropia deals with themes of monitoring, surveillance and control. It’s a grim world where a popular shampoo can transforms your hair into little antennas so your thoughts can be heard and your mind can be manipulated to consume or worse.

Metropia’s true magic lies in it’s amazing and unique visual style. The weirdly realistic animation is a mixture of still photographs and 2D Animation, the kind I don’t ever recall seeing before. The photographs were edited in Photoshop, and animated in Adobe After Effects. Apparently ordinary people spotted on the streets were used as models for the characters. Director Tarik Saleh has a background both in animation and graphic design, which would explain his ability to create such a beautiful and absurd world as in Metropia.

metropia_13

An example of Metropia's beautiful color palette

Metropia also has quite the impressive voice cast. Vincent Gallo plays Roger, who accepted his part as the lead voice actor after having seen 30 seconds of finished animation as well as hearing that German actor Udo Kier, of whom Gallo was a fan, already was attached to the project. Juliette Lewis is the voice of the mysterious Nina and the voice in Roger’s head, Stefan, is portrayed by Alexander Skarsgård. Also Stellan Skarsgård gives his voice to Ralph.

The Skarsgårds

The Skarsgårds

CONCLUSION
Metropia is a one of a kind animation. It is not without flaws, but it is still one of most original and captivating movies of 2009. I can’t wait to see what director Tarik Saleh will do next.

Ps. Once again I have no news on when this movie will be distributed in Finland, but when I do I will let you know. In the mean time you can check out more info from the official site.

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