Posts Tagged ‘Avatar’

Arnold Schwarzenegger and James Cameron will be back?

Thursday, October 21st, 2010

According to Governator Schwarzenegger‘s Twitter account, something is going on between the main actor and the director of one of the greatest science fiction classics ever (Terminator 2, if you’re wondering…) are possibly going do something together in the future. What that is, nobody knows, but here’s what Schwarzenegger writes:

“Jim Cameron & I are working on something together, @zealcore. Will announce Mon. Here’s a shot of us discussing. “

And here they are, indeed:

Jim Cameron & I are working on something together, @zealc... on Twitpic

What will that be? Avatar 2+3? One can only hope.

Top 15 Most Anticipated Movies of 2009

Friday, January 1st, 2010

This blog was originally posted at Beyond the Iron Sky blog.

Here is a list of my most anticipated movies of 2009. Enjoy!

harry-potter_1.jpg15. Harry Potter and the Half-Blood Prince

I have Harry Potter here at the last place, because I really wanted it on my list, but my expectations seem to be fading away with every new release. This time especially because Harry Potter and The Half-Blood Prince is directed by David Yates, who has also directed Harry Potter and the Order of the Phoenix, which was definitely the worst of the series. I´m a huge fan of the films, but after Harry Potter and the Prisoner of Azkaban the movies just haven´t been evolving very much.

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nine_1.jpg

14. Nine
There are two reasons why this film is on my list; first of all, it is inspired by one of my all time favorite films, Fellini‘s , and secondly because it stars my favorite actor Daniel Day-Lewis, who plays a world famous film director Guido Contini as he prepares his latest picture, and balances the numerous women in his life. It is on 14th place because I don´t completely trust the director Rob Marshall

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coraline_1.jpg13. Coraline

Coraline is an animated film directed by Henry Selick, the same guy who made The Nightmare Before Christmas, so it is obvious that the film will look awesome! And if that’s enough, it is based on a great horror novella by Neil Gaiman. I´m sold!

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informant_2.jpg12. The Informant

To be honest, I don´t know that much about this film, other than it is directed by Steven Soderbergh, described as a dark comedy thriller and Matt Damon gained alot of weight for the leading role. Sounds good to me.

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monsters-vs-aliens_1.jpg11. Monster vs. Aliens
The year 2009 will definitely be a great year for animation features, and this one takes the lead as the most unique and interesting animated movie of the year. It has a satire quality about it and will definitely be enjoyable, not only to kids but to the adults as well. Or at least to the adults.

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terminator-salvation_3.jpg10. Terminator Salvation

I really like the trailer and the fact that Christian Bale is playing John Connor, but I´m terrified by the fact that it is directed by McG, which usually doesn´t mean good things… Anyway, it’s on 10th place, because the trailer gave me the chills.

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parna.jpg9. The Imaginarium of Doctor Parnassus

This is a really interesting one – an upcoming fantasy film directed by Terry Gilliam. Heath Ledger starred in the film, though Ledger’s death halfway through the filming caused production to be temporarily suspended. Ledger’s role was recast with Johnny Depp, Jude Law and Colin Farrell portraying transformations of Ledger’s character Tony as he travels through a dream world. The movie tells a story about a travelling theater company that gives its audience much more than they were expecting for. Weird stuff, I love it!

8. Sherlock Holmes

Let´s face it, Guy Ritchie has done only two good movies in his career, and it was about time that he tried something new. Not only did he decide to do something new, he went all the way and surprised us all with a period piece of one of the most known charecters in the world. I also want to give Guy Ritchie credit for casting Robert Downey Jr. for the role of Sherlock Holmes. I can´t wait to see this one!

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fighter.jpg7. The Fighter

Unfortunately I haven´t seen Darren Aronofsky´s The Wrestler yet, but I´m super psyched about it and since these two films are a pair, I´m also psyched about The Fighter. The first one is about Randy “The Ram” Robinson and stars Mickey Rourke. The second one is about “Irish” Micky Ward and stars Mark Wahlberg. Let´s get ready to rumble!

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avatar_1.jpg6. Avatar
This is the film that everyone is waiting for! Why? It´s directed by James Cameron and… Well who cares! The hype is on!

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watchmen_1.jpg5. Watchmen

I have mixed feelings about this one, I´m sort of expecting the worst. I love the comic, but I´m not totally convicsed of the director Zack Snyder. His previous film, 300, was only “ok”, so let´s hope for the best. The new trailer looks pretty good though.

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star_trek_2.jpg4. Star Trek

Well… It´s Star Trek.

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public-enemies_depp.jpg3. Public Enemies

Public Enemies is a gangster period movie directed by Michael Mann and starring Christian Bale and Johnny Depp as FBI agent Melvin Purvis and gangster John Dillinger. Sounds awesome!!!

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shutter-island_2.jpg2. Shutter Island

Shutter Island (also known as Ashecliffe) is a new thriller from the director Martin Scorsese, and the leading role is once again played by Leonardo DiCaprio. That´s all I need, I´m totally sold. The film is based on the 2003 novel Shutter Island by Dennis Lehane. In the story two U.S. marshals investigate the disappearance of a patient from a hospital for the criminally insane, on an island in Massachusetts.

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inglourious-basterds_2.jpg1. Inglourious Basterds

And finally, the first place goes to Quentin Tarantino’s World War 2 epic. It was only a matter of time when Tarantino made his own “spaghetti-western” – and here it is. Inglourious Basterds has a huge ensemble cast, including Brad Pitt, and music by Ennio Morricone. The release date in the U.S is set to be 21st of August, hopefully it will be available to the rest of the world as soon as possible.

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Movies that didn´t make the list (but are still very interesting)

The Lovely Bones, directed by Peter Jackson

Black Dynamite, directed by Scott Sanders

The Road, directed by John Hillcoat

Up, directed by Pete Docter & Bob Peterson

X-Men Origins: Wolverine, directed by Gavin Hood

Green Zone, directed by Paul Greengrass

9, directed by Shane Acker

Do you think something is missing from these films? Drop a comment below and share your views!


Mrs. Zombie’s Top 20 Best Movies of 2009

Thursday, December 31st, 2009

Hey all. Since Mr. Zombie did a list of his top movies in 2009, I decided to make one as well. You can read his article here. I just couldn’t stop at 10 movies, because I didn’t have the heart not to mention all of these great films. So here are my top 20 best movies of 2009. Surprisingly it has been an interesting movie year especially for animation, comedy and science fiction.

SPECIAL MENTION: I KILLED MY MOTHER (J’ai tué ma mère)

I felt compelled to include this film to my list. Firstly because it’s a damn fine movie about a young homosexual boy and his relationship to his mother. Secondly for it’s amazingly well written script, and finally because of who made it. Xavier Dolan is a 20 year old Canadian kid who wrote, directed, produced and played the main character, all of which he did impeccably. If this is what he can do with his debut film at the age of 20, what can he do in 10 years time..?

20. STAR TREK

J.J. Abrams’s reboot or prequel to the famous series is definitely the most entertaining movie of the year. Chris Pine as Kirk and Zachary Quinto as Spock are absolutely perfectly casted, and the chemistry between the two characters is what keeps the movie going. I also really liked the way the movie looked, even (or especially) the audience blinding lens flares and white mac/apple like bridge. We can probably expect at least two sequels to the movie which I of course embrace with open arms.

19. THIRST (Bakjwi)

Thirst is a vampire movie with a twist. Director Chan-wook Park’s interpretation of the vampire genre was refreshingly different. In the movie a failed medical experiment turns a man of faith into a vampire. I loved the fact that being a vampire wasn’t glorified at all, but the condition was a decease more than anything. I also love Park’s dark sense of humor. So weather you’re a fan of the genre or not, this is a must see vampire movie of the year.

18. NORTH (Nord)

North is a heart warming and hilarious road-movie from Norway. It made me laugh like crazy. Following a nervous breakdown, ski athlete Jomar has isolated himself in a lonely existence as the guard of a ski park. When he learns that he might be the father of a child way up north, he sets on a strange and poetic journey through Norway on a snowmobile, with 5 liters of alcohol as sole provisions. Feel good movie of the year!

17. IN THE LOOP

In the Loop is directed by Armando Iannucci and it is a spinoff from the BBC TV series The Thick of It. In the film, the President of the United States and the Prime Minister of the United Kingdom are looking to launch a war in the Middle East. The plot follows government officials and advisers in their behind-the-scenes efforts either to promote the war or prevent it. It stars Peter CapaldiTom Hollander and James Gandolfini. Amazingly funny political satire.

16. THE MESSENGER

The Messenger is the directorial debut of Oren Moverman and that shows a little bit, but he is either an amazing actor director or he just casted the perfect people for the perfect roles. Either or, the films true magic lies in the performances by Woody Harrelson and Ben Foster. Foster plays Will Montgomery, a U.S. Army Staff Sergeant who has returned home from Iraq, and is assigned to the Army’s Casualty Notification service. Montgomery is partnered with Captain Tony Stone (Woody Harrelson), to give notice to the families of fallen soldiers.

15. THE HANGOVER

The Hangover is almost a perfect comedy. It goes a little over the top, but other than that it is a super funny and crazy comedy with a surprisingly good script. Starring Bradley Cooper, Zach Galifianakis and my favorite actor from The OfficeEd Helms. The plot follows four friends who travel to Las Vegas for a bachelor party, only to wake up the next morning not remembering a thing and missing the groom, whose wedding is scheduled to occur the next day. The best part is that the film was inspired by the filmmakers’ real life misadventures. LOL.

14. METROPIA

Metropia is a beautiful and very weird looking animation from Sweden and it is directed by Tarik Saleh. The very impressing voice cast includes Vincent Gallo, Juliette Lewis, Stellan Skarsgård, Alexander Skarsgård and Udo Kier. Metropia takes place in a not-so-distant future. The world is running out of oil and the undergrounds have been connected into a gigantic subway network beneath Europe. Whenever Roger (Vincent Gallo) from Stockholm enters this system he hears a stranger’s voice in his head. He looks to the mysterious Nina (Juliette Lewis) to help him escape the disturbing web of the Metro, but the farther they travel, the deeper he’s involved in a dark conspiracy.

Read my full review here.

13. (500) DAYS OF SUMMER

(500) Days of Summer is one of the most original and best written scripts of the year, and a desperately needed boost to the romantic comedy genre. In the beginning of the movie it is clearly stated that this is not love story. And that’s exactly what you get. An offbeat romantic comedy about a woman who doesn’t believe true love exists, and the young man who falls for her. Starring Joseph Gordon-Levitt and Zooey Deschanel.

12. PONYO (Gake no ue no Ponyo)

There’s just no one like Hayao Miyazaki when it comes to animation. In Ponyo the plot centers on a goldfish named Ponyo who befriends a five-year-old human boy, Sōsuke, and wants to become a human girl. So it is almost like a reconstruction of the classic tale of Little Mermaid. Fantastically told story and the beautiful animation are true Miyazaki trade marks. Ponyo is an absolute must for all Miyazaki fans.

11. DEAD SNOW (Død snø)

Dead Snow is a Norwegian nazi zombie movie that is one of the funniest and entertaining movies of the year and most definitely the best zombie film of the year. I can’t remember when was the last time I laughed so hard during a movie. Director Tommy Wirkola has found the perfect balance mixing pure comedy, horror and slasher genres. In the story a ski vacation turns horrific for a group of medical students, as they find themselves confronted by an unimaginable menace: Nazi zombies.

Here’s Timo’s review of Dead Snow.

10. THE ROAD

The Road is a hopeless and sad post-apocalyptic tale of a man (Viggo Mortensen) and his son (Kodi Smit-McPhee) trying to survive by any means possible in a world where most of the population has died and the world is dying along with them. The rusty and beautiful production design appealed to especially. Directed by John Hillcoat and based on a novel by Cormac McCarthy, whose masterpiece No Country for Old Men was adapted to the silver screen by the Coen brothers in 2007.

9. THE HURT LOCKER

The Hurt Locker wasn’t a very big success financially, but has received praise and numerous awards from all over the world and it is also a very strong candidate for this years Oscar race. The movie is set during the Iraq war and focuses on an elite Army bomb squad. The theme of the movie is clearly stated in the quote from War Is a Force That Gives Us Meaning that opens the film: “The rush of battle is a potent and often lethal addiction, for war is a drug”. The best part for me was the performance of Jeremy Renner who was absolutely amazing in portraying a war-addicted SSgt. William James. No doubt The Hurt Locker is director Kathryn Bigelow’s best work to date.

8. THE WHITE RIBBON (Das weisse Band – Eine deutsche Kindergeschichte)

The most powerful and visual work Michael Haneke has ever done and definitely one of his best, although not my personal favorite from his body of work. It premiered at the Cannes Film Festival in May 2009 where it won the Palme d’Or. The story is set in a village in northern Germany just before World War I and according to Haneke himself, the film is about the origin of every type of terrorism, be it of political or religious nature.

7. MOON

Moon is set in future where the worlds energy crisis has been solved by using resources found from the moon. It is a story about a solitary lunar employee who experiences a personal crisis as his three-year contract nears it’s end. It is an amazing directorial debut from Duncan Jones, and one of the best scifi movies of the year. Sam Rockwell is made for the role of Sam Bell and Kevin Spacey as the voice of GERTY was the icing on the near perfect cake.

6. UP

Up is probably the best movie Pixar has ever done and I wouldn’t be surprised if it gets a lot of attention at the Academy awards this year. Maybe even the first animation to win Best Picture… The first 20 minutes of the film are amazingly moving and the whole feel and over all look of the movie is just spectacular. Especially in 3D. They did go a bit over the top into to just being entertaining and silly with the talking dogs etc, but that aside, Up is a great piece of animation art with a great story to go with it.

5. MARY AND MAX

After I saw Up I thought that nothing could be better than that, and then along came Mary and Max. An Australian animation (stopmotion claymation) from Melodrama Pictures. It’s a story of a friendship between two unlikely pen pals: Mary (Toni Collette), a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max (Philip Seymour Hoffman), a forty-four-year old, severely obese man living in New York. The movie looks absolutely amazing, has a touching and sad story, but it is good to keep in mind that it is not for kids.

4. INGLOURIOUS BASTERDS

The enjoyment I got from watching Tarantino’s Inglourious Basterds is just unbelievable. Most definitely one of Quantin Tarantino’s best work to date. The opening scene of the movie is probably the best of the year, only competing with the Tavern scene that came a bit later. As a viewer I felt my intelligence was respected especially with the use of language in the film. Also Christoph Waltz brought the house down with his performance of Col. Hans Landa. Tarantino’s movie is entertaining, smart, bold and unapologetic. Just the way I like it!

Here’s my full review.

3. AVATAR

Avatar is director James Cameron’s first film in 12 years after Titanic and it was well worth the wait. For me Avatar was the movie experience of the year. I felt like a little kid again watching Jurassic Park or Indiana Jones for the first time. The revolutionary 3D technology used in the movie was just extraordinary and it set a pretty big bench mark for all film makers. I also liked the story a lot, it was a good old fashion epic adventure movie that will will be talked about for years to come. I for one feel privileged to have witnessed the birth of a phenomenon!

Here’s my full review.

2. A SERIOUS MAN

After I saw A Serious Man, I said that I’m officially elevating the Coen Brothers to God status. The movie is so well written, it just blew my mind! Best script of the year hands down. A Serious Man is also a movie you could only do after winning an Oscar. Meaning that the fairly unknown cast, religious subject matter and dark under tones of the story might not go too well with studio executives (or distributors for that matter) other wise. And even now it was made only with 7 million dollars. But who needs tons of money with this kind of visionaries behind the camera.

1. LOOKING FOR ERIC

I have to say it wasn’t easy to decide between A Serious Man and Ken Loach’s Looking for Eric, but after a long consideration I chose the latter because of the pure originality and warmth that the movie offers. In the film, Eric a football fanatic postman whose life is descending in to crisis receives some life coaching from the famously philosophical Eric Cantona. The movie is moving, funny and serious all at the same time. Eric Cantona is so awesome in this movie I can’t even tell you. Also great performances from the whole cast. An absolutely perfect film and the must see movie of the year!

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ALSO GOOD THIS YEAR:

Adventureland
The Box
Coraline
District 9
The Informant!
Mammoth

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And in case you are wondering why some films are missing from my list, keep in mind that I haven’t yet seen these (all of which I’m desperately eager to see):

Bad Lieutenant: Port of Call New Orleans
An Education
Fantastic Mr. Fox
The Imaginarium of Doctor Parnassus
The Lovely Bones
Precious: Based on the Novel Push by Sapphire
A Single Man
Up in the Air
Where the Wild Things Are

That’s it. What were your favorite films of 2009? Drop a comment below.

The Zombies want to wish you a happy New Year 2010!

Mr. Zombie’s Top 10 films of 2009

Thursday, December 24th, 2009

SPECIAL MENTION: STAR TREK & DISTRICT 9

Star Trek and District 9 were surprisingly similar films in many ways. At first, they felt like a bite out of a fresh apple, but slowly they started to taste mealier, ditching head first into a pool of cliches and unanswered expectations. Visually, both were outstanding – at first. District 9 ran out of money somewhere around the midpoint, and JJ Abram’s visions of running around on powerplants and blinding the audience with lens flares became too apparent by the end.

And finally, both had quite amazing marketing campaings: Star Trek was sold to me as a teen gay drama in space, and District 9 as a harsh commentary on prejudicament and western immigration politics. Unfortunately, neither of the films eventually responded to things that made me interested. But they were both definitively remarkable films, and deserve to be mentioned.

10. METROPIA

Whine, whine, boo-hoo it was boring, the story was crappy, the world was shitty and nothing happened in it. Wrong. It was a great film, the atmosphere was amazing, the story was maybe the strangest and wildest of the whole year and the cast was excellent. Metropia was not flawless, but a brave, ambitious and exactly what the world of animation needs – completely different from Pixar/Dreamworks dominating the market nowadays. I think we’ll see loads of groundbreaking films from the director Tarik Saleh in the future. So quit whining and respect the film!

Here’s Essi‘s review of Metropia.

9. UP!

Pixar never fails. I love everything they’ve done so far, even Cars, and Up! didn’t let me down. The first 20 minutes of the film is easilly the best and most moving 20 minutes in 2009 – hell, maybe in 2000′s. Unfortunately, as the film takes the absurd Pixarian twist, surprisingly enough the story doesn’t live up to the expectations (which is strange, since usually it’s exactly the absurdity that makes their films so excellent). Nevertheless, Up! is a lovely story and Edward Asner delivers one of the best lead performances of the year as the old man Carl Fredricksen. And as a viewer, I feel like somebody respects my time, unlike with most of Dreamwork’s pieces of shit they keep on spitting on the big screen every year.

(BTW. Ever wondered what’s the main difference between Pixar and Dreamworks? Well, here’s quite a good explanation.)

8. CORALINE

Stop-motion 3D animation is here to stay, and Coraline is a living proof that you don’t need a CGI-rendered animation when you have a visionary director working on a story that’s based on a book by one of the greatest modern storytellers. Those being, of course, Neil Gaiman and Henry Selick, in reverse order. Coraline is fun, atmospheric, brave, experimental, beautiful and dark and creepy enough! It’s a humble courtesy for the animaton lovers.

7. AVATAR

The film looks like one of those creepy airbrush-painted dolphin posters that were quite popular in among the most tasteless of us back in early 90′s. The story may not be the most original one – hell, you know exactly what’s going to happen from the very first minutes, and if not, make sure to watch a trailer, it’ll spoil the rest for you. But still, it’s a honest work of love from the grown-up nerd James Cameron, and if you’re able to leave behind the cynicism that’s probably fueling your lost fight against mediocrity, the film is quite damn enjoyable. Most importantly, it’s a film that will last quite long, and spawn heaps of sequels, TV-serieses, cool merchandising – and create a massive fanbase around it. You should enjoy it while you still can – it’s either theaters now, or never on your home telly. The 3D environment is such a big element of the whole film that watching it in 2D is almost like watching bad quality internet porn instead of… Well, the real thing.

Here’s Essi’s review of Avatar.

6. PONYO

The overlord Hayao Miyazaki is back, and takes a dive into the story of the Little Mermaid, giving it a surreal and fantastic twist, and delivering another masterpiece into a long line of masterpieces from the Ghibli Studios. Ponyo felt completely different from any other animation this year – honest and loving in a way only Miyazaki can do. His style is unique, and we sure should hope he stays in good enough shape to make at least few more, because as much as there’s nobody to step in for mr. David Lynch once his time is up, also Miyazaki is unique in this way.

5. MARY AND MAX

“So, you want to make a monochromatic animation about mental illnesses, and you want an all-star cast to it? Yeah, good luck with the funding…” Mary and Max was one of the biggest and most positive surprises – no, out-of-the-blues – this year. It’s a really touching, intelligent and extremely well-written animation about a life-long friendship between a girl in Australia and a man in New York. The story follows the letter exchange between these two, and builds up two perfectly believeable lives with all of the stranger-than-fiction odds and quirks life brings to you.

4. INGLOURIOUS BASTERDS

To be honest, I was a bit bored with Quentin Tarantino before watching Inglourious Basterds. I mean ever since Jackie Brown, his films haven’t been that impressive, and I started to feel like he had “found his slot” in the industry and descended from this once so promising young director into another retro freak repeating the same joke film after film. But I was wrong. Inglourious Basterds proved that there’s quite a lot of gunpowder still running through his veins, and he’s brave enough to do a film that’s basically long dialogues following each other, seasoned with hefty dozes of sudden violence. And there’s never enough of alternate history movies out there.

Here’s Essi’s review of Inglourious Basterds.

We got so excited about the film that we even did our own version of the trailer – sort of :) Enjoy “Iroun Sky Basterds”!

3. MOON

Semi-hard science fiction with slow pacing, great music, awesome performance and close relations to my next film, Iron Sky, when it comes to Moon as an environment, and Helium-3 as a new target for pure humane greed. Moon is the directioral debute for Duncan Jones who, with this film, catapulted himself among the most interesting directors of the next century. It was recently announced that he will direct the feature film adaptation of Escape from the Deep: The Epic Story of a Legendary Submarine and Her Courageous Crew by Alex Kershaw. Jones also revealed that he will be doing “another science fiction film, called Mute, which takes place in a future Berlin. It’s a Blade Runner-inspired piece, a little love letter to that film.” And he will also direct Summit Entertainment project Source Code, a Science-Fiction thriller from Vendome Pictures, which will be produced by Mark Gordon. Actor Jake Gyllenhaal is in negotiations to play a major role in the film. So there you go, quite interesting films – and Duncan Jones is also a very active Twitterer.

2. A SERIOUS MAN

The Coen Brothers are able to “tilt my camera”, so to speak, so that suddenly everything around me feels a bit stranger and makes a little bit less sense, making life a little bit more exciting experience. A Serious Man was definitively one of those films – but it’s also a film you can do with two conditions: you need to be Jewish, and you need to have an Oscar to prove you know what you’re doing. Otherwise, you’d end up lynched.

1. DEAD SNOW

We’ve been raving about Dead Snow enough for one one year already, and to be honest, I’m not even sure if the film’s actual official release year is 2009 (that’s what IMDB claims, though, but I saw it in 2008 already) but who the hell cares? I just can’t get enough of the Norwegian Nazi Zombies, and Tommy Wirkola‘s excellent timing in both comedy and horror genres is stellar. He’s among the few directors I’m following very closely, and I’m very interested to see how his next film, Hansel and Gretel: Witch Hunters, turns out!

Here’s my review of Dead Snow.

Everyone – have a merry christmas, and remember not to go outside after dark – who knows what’s lurking there!

Zombie Room’s Oscar Predictions 2010

Monday, December 21st, 2009

Zombieie_Rooms_Oscar_Predictions

The year 2009 is almost over and you all know what that means. It’s almost time for the Oscars. And since I like to pretend I know a thing or two about movies and especially about the Oscars, I decided to list my own predictions of the Oscar nominees this year. Keep in mind that this list is not a list of my favorite films of the year, but a combination of how I think the Academy’s mind works combined with the nominees of the Golden Globe Awards, Critics Awards Grid, Screen Actors Guild, Independent Spirit Awards and Critics Choice Awards.

The Oscars will again take place at the Kodak Theatre in Hollywood March 7, 2010, with nominations announced on February 2. Then we will see if I got my predictions right. But until then, here’s Zombie Room’s Oscar predictions. Enjoy!

Oscars_Best_Picture

Avatar
The Hurt Locker
Inglourious Basterds
Precious: Based on the Novel Push by Sapphire
Up in the Air

Also strong contenders:

An Education
Invictus
Nine
The Road
A Serious Man
A Single Man
Where the Wild Things Are

Oscars_Actor_in_a_Leading_Role

Jeff Bridges for Crazy Heart
George Clooney for Up in the Air
Colin Firth for A Single Man
Morgan Freeman for Invictus
Jeremy Renner for The Hurt Locker

Also strong contenders:

Matt Damon for Informant!
Daniel Day-Lewis for Nine
Ben Foster for The Messenger
Tobey Maguire for Brothers
Viggo Mortensen for The Road
Michael Stuhlbarg for A Serious Man

Oscars_Actor_in_a_Supporting_Role

Matt Damon for Invictus
Woody Harrelson for The Messenger
Christopher Plummer for The Last Station
Stanley Tucci for The Lovely Bones
Christoph Waltz for Inglourious Basterds

Also strong contenders:

Anthony Mackie for The Hurt Locker
Christian McKay for Me and Orson Welles
Alfred Molina for An Education

Oscars_Actress_in_a_Leading_Role

Emily Blunt for The Young Victoria
Sandra Bullock for The Blind Side
Helen Mirren for The Last Station
Gabourey ‘Gabby’ Sidibe for Precious: Based on the Novel Push by Sapphire
Meryl Streep for Julie & Julia

Also strong contenders:

Carey Mulligan for An Education
Saoirse Ronan for The Lovely Bones

Oscars_Actress_in_a_Supporting_Role

Penélope Cruz for Nine
Vera Farmiga for Up in the Air
Anna Kendrick for Up in the Air
Mo’Nique for Precious: Based on the Novel Push by Sapphire
Julianne Moore for A Single Man

Also strong contenders:

Marion Cotillard for Nine
Judi Dench for Nine
Samantha Morton for The Messenger
Diane Kruger for Inglourious Basterds

Oscars_Directing

Kathryn Bigelow for The Hurt Locker
James Cameron for Avatar
Lee Daniels for Precious: Based on the Novel Push by Sapphire
Jason Reitman for Up in the Air
Quentin Tarantino for Inglourious Basterds

Also strong contenders:

Clint Eastwood for Invictus
John Hillcoat for The Road
Spike Jonze for Where the Wild Things Are
Rob Marshall for Nine

Oscars_Writing_Adapted Screenplay

An Education: Nick Hornby
Fantastic Mr. Fox: Wes Anderson, Noah Baumbach
Precious: Based on the Novel Push by Sapphire: Geoffrey Fletcher
A Single Man: Tom Ford, David Scearce
Up in the Air: Jason Reitman, Sheldon Turner

Also strong contenders:

District 9: Neill Blomkamp, Terri Tatchell
The Lovely Bones: Fran Walsh, Philippa Boyens, Peter Jackson
The Road: Joe Penhall

Oscars_Writing_Original_Screenplay

(500) Days of Summer: Scott Neustadter, Michael H. Weber
The Hurt Locker: Mark Boal
Inglourious Basterds: Quentin Tarantino
A Serious Man: Ethan Coen, Joel Coen
Up: Bob Peterson, Pete Docter

Oscars_Music_Song

Avatar: James Horner, Simon Franglen, Kuk Harrell(“I Will See You”)
Brothers: U2, Bono(“Winter”)
Crazy Heart: T-Bone Burnett, Ryan Bingham(“The Weary Kind”)
Everybody’s Fine: Paul McCartney(“(I Want To) Come Home”)
Nine: Maury Yeston(“Cinema Italiano”)

Also strong contenders:

The Princess and the Frog: Randy Newman(“Almost There”)
Precious: Based on the Novel “Push” by Sapphire
Where the Wild Things Are: Karen Orzolek, Nick Zinner(“All Is Love”)

Oscars_Music_Score

Avatar: James Horner
The Informant!: Marvin Hamlisch
A Single Man: Abel Korzeniowski
Up: Michael Giacchino
Where the Wild Things Are: Carter Burwell, Karen Orzolek

Also strong contenders:

The Princess and the Frog: Randy Newman
Sherlock Holmes: Hans Zimmer
Bright Star: Mark Bradshaw
Coco Before Chanel: Alexandre Desplat

Oscars_Animated_Feature_Film

Coraline
Fantastic Mr. Fox
Mary and Max
The Princess and the Frog
Up (deserves a Best Picture nomination)

Also strong contenders:

Cloudy with a Chance of Meatballs
Disney’s A Christmas Carol
Monsters vs. Aliens

Oscars_Foreign_Language_Film

Los abrazos rotos
Chi bi
Sin Nombre
Un prophète
Das weisse Band – Eine deutsche Kindergeschichte

Also strong contenders:

Baarìa
La nana
Ein Augenblick Freiheit
Mei Lanfang
Ajami

Oscars_Cinematography

Avatar
The Hurt Locker
Inglourious Basterds
Nine
The Lovely Bones

Also strong contenders:

Bright Star

Oscars_Art_Direction

Avatar
Inglourious Basterds
The Lovely Bones
Nine
A Single Man

Also strong contenders:

The Imaginarium of Doctor Parnassus
A Serious Man
Sherlock Holmes
The Road

Oscars_Editing

Avatar
The Hurt Locker
Inglourious Basterds
Nine
Up in the Air

Also strong contenders:

The Lovely Bones
Precious: Based on the Novel “Push” by Sapphire

Oscars_Costume_Design

Bright Star
Inglourious Basterds
Nine
The Young Victoria
Where the Wild Things Are

Also strong contenders:

Bright Star
The Imaginarium of Doctor Parnassus

Oscars_Visual_Effects

Avatar
District 9
Star Trek
Transformers: Revenge of the Fallen
2012

Also strong contenders:

The Lovely Bones

Oscars_Sound_Editing

Avatar
The Hurt Locker
Nine
Star Trek
Transformers: Revenge of the Fallen

Also strong contenders:

District 9
Terminator Salvation
Up

Oscars_Sound_Mixing

Avatar
The Hurt Locker
Nine
Star Trek
Transformers: Revenge of the Fallen

Also strong contenders:

District 9
Terminator Salvation
Up

Oscars_Documentary_Feature

Anvil! The Story of Anvil
Capitalism: A Love Story
The Cove
Food, Inc.
This Is It

Oscars_Makeup

Avatar
District 9
The Imaginarioum of Doctor Parnassus
Nine
Star Trek

————

I’m leaving these out categories out, because I have no idea what to choose…

Short Film (Animated)
Short Film (Live action)
Documentary Short

Do you think I have forgotten something? Or do you agree or disagree with me? I would love to here your thoughts.

Zombie Room Review: Avatar (2009)

Friday, December 18th, 2009

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Before I start, I highly recommend you to stop reading this review right now and go see the movie instead. Also, for the love of God, see it in a 3D movie theatre! If this means you have to travel to another city to see it, make the trip. I promise it will be worth your while. But if you have already seen it, or just decide to read this anyway, here’s what I thought of the movie.

In the year 2154, Jake Sully (Sam Worthington) is a a former U.S. Marine who has injured his legs in the line of duty and is bound to a wheelchair. After his twin brother dies, Jake is selected to take his place in the Avatar program, which is lead by Dr. Grace Augustine (Sigourney Weaver). He’s job is to use a remotely controlled body, called Avatar to go into Pandora. Jake is thrown into a world he doesn’t quite understand but grows to love as his own. He finds love and his true place in the world from Pandora with the Na’vi tribe, and will do everything in his power to save it from the hands of greedy humans.

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Watching Avatar felt like watching Indiana Jones, Jurassic Park or Star Wars for the first time when I was a kid. Back then I didn’t even really realize I was watching a movie, I felt more like one of the characters and a part of the story. Watching Avatar was like that. The 3D technology Cameron has perfected over the years makes you dive into the story so deep, you feel everything more effectively, just like when you were a child. After the movie was over my body was shaking and my heart was bounding from excitement. There’s that feeling, that high again, the reason why I love movies above all thing.

Avatar is director James Cameron’s first film in 12 years after Titanic, which was the most expensive movie of it’s time. So true to his grand style Avatar is no exception. It is clear from the start that this movie was very expensive. That being said, Cameron is one of those people who knows how to spend money wisely and in the right places. In this movie the money has gone mostly to CGI. And God knows how much money is spend on enhancing the 3D technology alone. I say money well spent, because Avatar is not only one of the most beautiful movies I have ever seen, but it is also a major breakthrough in 3D technology. The movie is so beautiful in fact that at times I was moved to near tears just by it’s beauty alone.

Although Avatar is highly entertaining it is also very anti-war and green. I might even say that the movie has a conscience. I truly admire the highly imaginative world Cameron has created for Avatar. It feels like he has thought of every tiny little thing. It’s not every day you get to see a bunch of blue people running around half naked in the jungle and not think it’s completely ridiculous. And this is one of those days.

I’m not saying that the movie is flawless or that there were no negatives, sure they were. A cynic might even say that Avatar is a movie filled with crazy patriotic soldiers, bad dialogue and a bunch of tree huggers. But who cares when you feel like you’ve just been injected with a doze of the most exquisite movie heroin. The only really negative thing about Avatar is that the movie is not meant to be watched in 2D or from you shitty TV screen, no matter how big it is. I’m already a little sad that I will never be able to see Avatar again, at least not in the right way, unless I go to the theatre again.

Oh wait, what’s that ringing sound? Oh, it’s the Oscar bells.

Espoo Ciné Diary #7 – In Full Stereoscopic 3D Vision!

Friday, August 28th, 2009

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Espoo Ciné is all about films, but they managed to fit a small seminar somewhere in between the shows there, with quite an ambitious title: “The End of Film – The Future of Cinema”. I was invited there as a speaker to talk about digital distribution, and with me there was a video artist Luc Courchesne from Canada, and Kasimir Lehto from Stereoscape.

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Photo from espoocine.fi

Kasimir had brought along a psychologist who’s been active researching the 3D and how the human eye and brains form a three-dimensional vision.

In his research he uses an eye-tracking system, that tracks the movement of the eye when it’s looking at a picture. With this method, you can estimate what are the most interesting parts of the picture that the people keep looking at, and how it changes if you go from two-dimensional picture into stereoscopic one.

In one test, they had a scene with a boy and a girl chatting by the pool. In 2D version, the perception was much more focused on the actors, and viewers remembered very well the dialogue afterwards. But in 3D, people paid much more attention to other elements, like moving water, and didn’t remember the dialogue so well.

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Photo from espoocine.fi

Shooting in 3D gives a little less control for the filmmaker on where to guide the focus of the viewer – they may want to focus on other, less important things, and miss something. I started to think would this affect also to the work of a director – meaning, would the director need to build wider shots differently, and even ask the actors to act a bit “over” in order to deliver their performance across the screen, and then tone it down a bit to closeups.

Probably not, but the storytelling for 3D need to change. The rules we’ve used in today’s cinema don’t apply 100% in the future, and this will also affect the way the films of future will look like.

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Photo from espoocine.fi

I’m sitting on a car, doing location scouting for Iron Sky, with the team, and since we’re all bored rushing on an autobahn, I thought about doing a small interview with Mika Orasmaa, the cinematographer for Iron Sky, about 3D.

What’s the meaning of 3D to the film? Is it as important as color or sound, or just another new thing to rip the customers off of their money with?

- I wouldn’t say it has the same importance as color for example did – to be honest, I’m not that enthusiastic about 3D so far, but probably that will change as time goes by. For me, it takes the first 15 minutes to get used to the glasses and the fact that colour tones are much darker, and I miss much of the immersion.

How about in let’s say ten years, what’s the situation then? Do we still make 2D movies?

- If they are able to make the screening technology work so that you don’t need glasses anymore, and shooting in 3D doesn’t require such huge systems as it still does nowadays, I don’t see why they wouldn’t change entirely to 3D in the future. People experience the world in three dimensions anyway, so why not the films, too.

- I’ve already seen these displays that don’t require the 3D glasses. Those you need to watch from a certain distance, and you need to watch “through” them. It takes a moment to adjust to it, since you have to use some muscles in your eye you don’t normally use. Some people get it quick, and for some people it can take anything from 15 to 30 minutes to get used to the effect. But once you get it, it works very well.

In what ways do you think that doing films in 3D will change the way the films are made?

- With 3D, you need to take in consideration the way the people like to watch 3D picture, which is quite different from 2D. The basic fact is that wider shots work better – what used to be a closeup, works better in medium closeup and so on.

- One of the problems today is that the filmmakers need to do both versions from the same material – which leads into big compromises. It’s either unwatchable in 3D or boring in 2D.

- One of the biggest changes in 3D is the depth of field, which you can’t use so much to blur down the backgrounds or foregrounds, because it looks bad in 3D. So for a filmmaker it’s harder to point out the things the audience should focus on. So if one wants the viewer to focus on actors, the best way is actually to do a much simplier settings.

I’ve always felt that the actors, especially the female actors, look much thinner and much smaller in 3D than in 2D – it’s almost like meeting an actress, they are always so thin and frail when you see them in real life. It’s said that camera gives you extra 20 pounds of weight, but with 3D this doesn’t seem to be the case. Why do you think that is?

- That’s a good point, and probably very true. In 3D, the viewer definitively has much more accurate understanding on the proportions of the elements, so the tiny actoresses or short actors feel much more the size they really are.

So Mika, what’s the coolest film you’ve seen in 3D so far?

- I think the animations work quite well. I haven’t seen UP yet, but Bolt had some great moments.

- I also went to see the short Avatar preview in the theaters, and it seemed to work quite well. Cameron had really understood not to fiddle around too much with the focal length. It’s easier for the eye, and makes more pleasant experience for the viewer. They had considered very carefully the technology, and used the foreground elements very extensively.

Espoo Ciné Diary # 2: Looking For Eric, Opening Party And Avatar

Sunday, August 23rd, 2009

espoocinediary_22

Friday was the opening of the 20th Espoo Ciné film festival. This year the festival has expanded from six days to ten. This of course means more movie titles and more days of cinema bliss. Untill now everything seems to be working as planned and I’m really impressed with the festival so far. Only thing (once again) is the lack of internet. I don’t know why, but it is the same thing with every festival the internet never works anywhere. They do offer laptops (although they are PC’s) with an internet connection, but that just don’t cut it for a blogger like myself. Well in any case that is the only negative I have encountered at the festival.

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The festival opened with Ken Loach’s Looking For Eric, which was also in the official selection in Cannes this year. Looking for Eric is an uplifting feel-good movie, with serious subjects and real drama. The script is suberb and it has a great cast. The film’s cast includes a former professional footballer Eric Cantona who plays himself. The plot in short is a story of postman who’s life is starting to crumble. Looking after his granddaughter is bringing him into contact with his ex-wife, and his stepson is hiding a gun for a local gangster. At his weakest moments, when he considers suicide, his hallucinations bring forth visits from his footballing hero, the famously philosophical Eric Cantona. Director Ken Loach said of the film, “We wanted to deflate the idea of celebrities as more than human. And we wanted to make a film that was enjoying the idea of what you and I would call solidarity, but what others would call support for your friends really, and the old idea that we are stronger as a team than we are as individuals.” I really loved the film and I recommend this gem to everyone. But if you didn’t get a change to see it yet, don’t you worry, FS-Film is distributing it here in Finland and it will premiere on the 13th of November. Here are some pics from the movie.

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eric

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After the film we moved to the tent outside to have some drinks and food compliments of the festival. After an hour or so of mingling, we hopped on a bus that drove us to Helsinki where the party continued. Here are few photos from the event.

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The party continued at Dubrovnik. Unfortunately I wasn’t able to stay very long becaue we were going to see a 15-minute preview of Avatar in 3D. This was definitely the highlight of the day for me, because I have been dying to see footage from the film, especially in 3D. And let me just say, that it looked amazing! The 15 minutes preview was a compilations of scnes from the first half of the film to avoid any spoilers, with an introduction from the director. So everyone who is complaining about the teaser should first see it in 3D, as it is ment to be seen, before judging. I for one can’t wait to see the whole movie in December, it will be something really extraordinary.

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avatar_tank_sam

These first days of Espoo Ciné have been very busy for The Zombies, but I will try to post something every day. Ok, that’s all for now, stay tuned!

- Essi

Espoo Ciné Diary # 1: The Beginning

Friday, August 21st, 2009

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Hello everyone! It is finally time to resurrect the Zombies and what better way to do it than a festival diary. And as many of you already know, this means I will be posting a blog entry about the festival daily. This particular festival will actually be kind of a new experience for me, because usually when I go to movie festivals I’m always working and don’t get to see many (if any) films. But now I’m officially on holiday and I will try to see as many films as possible and just relax for a change.

Today is the opening of Espoo Ciné International Film Festival here in Finland. This year the festival is celebrating it’s 20th anniversary, so congrats to all of the organizers. Espoo Ciné is situated in Espoo, which is very close to Helsinki. The venues are besides the Espoo Cultural Centre, also in the cinema Sello Rex in Leppävaara and in the cultural and recreational complex Andorra in Helsinki.

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The festival will be opened with Ken Loach’s brand new movie Looking for Eric. There will also be an opening party which I´m naturally attending and will be posting photos and stories about the event tomorrow. Quentin Tarantino’s Inglourious Basterds will be featured as the grand finale of the festival. But more about that later on.

The programme in between, includes a number of real beauties, such as Michael Haneke’s The White Ribbon (Das weiße Band) which won the Palme d’Or at Cannes this year, as well as the winner of the Berlinale, Claudia Llosa’s mesmerizingly beautiful The Milk of Sorrow (La teta asustada). Here after the break is an image of The White Ribbon. I can´t wait to see it!

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Tonight the Zombies also have a very special treat in store for them. Although it doesn’t have anything to do with the festival itself, it is definitely worth mentioning. We are going to see 15 minutes of James Cameron’s Avatar in 3D tonight! The teaser trailer was published yesterday and the feedback has been quite colorful; some don’t seem to like it at all and some have gone totally ballistic over it. Well I’m in between opinions right now, because I want to see it in 3D first, just as Cameron has intended. This movie was never attended to see in any other form, so before I see it in 3D, I’m not going to judge. Besides I kind of liked the trailer. So if you still haven’t seen the teaser you can watch it below after the poster.

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Well that’s all for now, I have to start preparing to leave to the festival pretty soon. Check back tomorrow.

Ps. The Zombies have been working hard on redesigning our blog and we will be opening the new and improved blog for you very soon. So stay tuned!

-Essi

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