Archive for the ‘Trailers’ Category

9 Questi9ns Ab9ut “9″

Tuesday, October 6th, 2009

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If you’ve seen the movie 9 your head might be filled with unanswered questions and you might feel a bit confused. Don’t worry, that’s the proper and only way to feel. If you haven’t seen the movie, well then you’re probably better off…

WARNING: SPOILERS AHEAD (If you read on and I spoil the movie for you, it’s your own damn fault)!!!

9 is an animated fantasy adventure directed Shane Acker. It is the feature-length expansion of his Academy Award-nominated 2005 short film of the same name. The story is set in the near future when the world has come to an end after a war between men and machines (you know, like in Terminator basically). With the last breath of humanity a scientist makes 9 small creations to sustain life on earth before dying himself.

Here is the trailer…

… and also the 2005 short film, that the movie is based on.

So far so good, right? WRONG! The sorry excuse for a story doesn’t hold a candle to the amazing visuals (which is a damn shame). The story is wafer thin and so full of plot holes, that it makes the viewing experience a bit frustrating. Even the characters themselves seem to have a huge question mark imprinted in their facial expressions all trough the movie (with those round bug eyes). WHA WHA WHAAT???

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The story starts when #9 is created (voiced by Elijah Wood). He start looking for answers and finds #2 (Martin Landau). Right after they meet, a horrible dog-like creature called the Beast attacks them and takes #2 away. From this point on #9 is obsessively driven to save him and everyone else. So here’s my first question.

1) Why #9 (the protagonist) does what he does? He starts off as this fragile and scared person, who suddenly transforms into a brave warrior. I can almost buy into the fact that he wants to save #2, because he saved #9′s life first. But when the story goes on it just doesn’t make much sense. Soon after, #9 finds #1 (Christopher Plummer), #8 (Fred Tatasciore), #6 (Crispin Glover) and #5 (John C. Reilly). He tries to get them to help #2, but #1 is against this because it would be too dangerous. Later on #9 discovers that #1 has send #2 out on purpose (to die), because he was old and was asking too many questions.

2) How the hell is #2 old, if he is not human and he was created just a short while ago? Did the scientist make him old on purpose or what? This doesn’t make any friggin’ sense. The timelines are all mixed up. Well anyway, #9 won’t take no for an answer and persuades #5 to go with him. #9 and #5 arrive to the old factory, where the Beast had taken #2, who they find alive. The Beast is there and they fight. Suddenly from thin air #7 (Jennifer Connelly) emerges and kills the Beast like it was nothing. Mind you that the Beast is supposedly the only machine left, and has been agonizing our creatures for a long time now.

3) So why is it suddenly so easy to kill the only threat they had? Why weren’t they able to do that before? Well there is no answer except deus ex machina. They kill the Beast and free #2. But in the middle of all this #9 inserts a small device that I call a thingamajig (which he found from the scientists study earlier) into the Great Machine.

4) Why the hell #9 inserts the thingamajig into the Great Machine? WHYYYY????!!!! This bit drove me crazy. It is just shown a few seconds ago that the Beast was trying to do the exact same thing. HELLO!!! Usually you do the opposite than the bad guys are doing! This brain fart of an idea of course awakens the Great Machine, that immediately starts building more machines. So now it’s 9 little rag dolls against hundreds of killer robots. This also raises the question:

5) Why wasn’t the Great Machine working before? Why wasn’t there any other robots left? I would understand if the war would have been fought a 100 years ago, but the human bodies laying around implicate that the war ended like a week ago. I just can’t wrap my brain around it. Well then…

6) Did the scientist have something to do with this? In the end of the movie it is revealed that it was the same scientist who had created the Great Machine. It is implicated (but not explained in any way) that maybe the scientist had taken the thingamajig out from the Machine, thus enabling it. Also when the Machine is awaken it kills #2 by sucking something that seems to be his life force (soul) out of him. Way to go #9! Because of you #2 is now dead and now you have hundreds of killer robots after you. I mean, what the f*ck were you thinking?!? At this point I had to ask myself…

7. Why did I go see this movie? Well, this I actually can answer. It’s simple. The movie had so much promise and potential. The visual world is great and Tim Burton is one of the producers. So why not, right? About that same time I was also wondering…

8. Why is #8 getting his rocks off with a magnet? I know this is not a plot hole or anything like that, it was just a bit weird.

9. What is up with that anti-climax ending? Before the movie is over, the Great Machine has killed three other creatures. No wrong in that, but it is clearly implicated that the life forces or souls of the creatures are trapped in the Machine and by destroying it, the souls can go free and the creatures can be brought back to life. But noooo. After the creatures get the thingamajig out of the Machine and destroy it, the souls just simply rise to the heavens with a very religious wibe.  And then, it starts to rain…

Ok, my point is, the story leaves out so many things that you spend all of your time wondering and pondering, instead of concentrating on the movie.

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So the bottom line is that the movie feels fast and unthought. Like there just wasn’t enough material to go on. The movie has great themes, that get lost in the mess. What you need to realize is that in the fantasy genre you can get away with anything if you just give you viewers the right instructions.

But truth be told, it’s not all bad. At times the movie is actually pretty decent. I loved the “steampunk”-styled visual world and the grim killer robots that the Great Machine created. Also the all-star voice cast was quite enjoyable (nothing special, but still enjoyable).

All and all I give the movie 2 1/2 stars. It could easily have been a four star movie, but the script just didn’t work.

What Became of Us: The Attack of the Amateurs!

Friday, October 2nd, 2009

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On Wednesday was the premiere of a Finnish indie movie What Became of Us. This was actually the second screening of the film in Finland since it was also shown to a sold out theatre in Love & Anarchy film festival a couple of weeks ago. The Zombies were invited to the premiere and after seeing the movie I felt compelled to spill my guts about the experience.

First off you should know that What Became of Us is a no-budget movie that is completely independently made. There is no distributor, no professional actors or even professional film makers involved. Regardless of this What Became of Us is one the best Finnish movies I have seen in years. It is not even in comparison to most of the so-called professional films that are produced in Finland each year. And do you know why? The answer is simple; the movie actually manages to move, make you laugh and surprise you. This is unfortunately more than I can say about most Finnish movies.

It was clear from the beginning that the movie is made with love and true passion for film making. Even the opening speeches felt different and I could have listened them for hours. The true power of the movie comes from the amazing script, combined with great acting and of course the directors ability to tell a story. It’s the perfect example that you don’t always need money to make a great film, after all it’s about telling stories and telling them well.

What Became of Us is a movie about friendship. It’s a tale of gathering of the former elementary school classmates. At the climax of the story is the class reunion, set on a cruise ship. In the chilling night even the most kept secrets of the past are revealed by the salty sea wind. Only the debt of gratitude of one bullied young man can save the classmates from certain death. Check out the trailer below.

The film is directed by the multi-talented Miika Ullakko, who is also responsible for writing the script and playing one of the lead characters. The movie is more or less a sequel to his award-winning first feature film Graffiti Within, that was also made independently and with only 2000 euros or so in 2006. Here is the trailer, unfortunately I couldn’t find one with english subtitles.

For the past few days I’ve been asking myself what is the difference between an amateur and a professional film maker? The description for amateur from Wikipedia says: “An amateur is generally considered a person attached to a particular pursuit, study, or science, without formal training or pay. An amateur receives little or irregular income from their activities, and differs from a professional who makes a living from the pursuit and typically has some formal training and certifications in the domain. Translated from its French origin to the English “lover”, the term “amateur” reflects a voluntary motivation to work as a result of personal interest in the activity.”

Of course these are just words and pointless titles per se, but as long as you a considered an “amateur”, finding a distributor for your film can be very difficult. If your movie isn’t funded trough governmental money, you don’t exist basically. Even if you have made the best movie of the year, you can’t get help for example making a film print to send to festivals, or you don’t get considered for the Finnish Oscar, the Jussi Award. This doesn’t seem quite right…

I admire the spirit and determination of the film makers and actors involved in What Became of Us. I for one am inspired and a bit more hopeful about the future of Finnish cinema.

Unfortunately I don’t have any news on when or where you could see this movie, but as soon as I do, I will be sure to post it here. Until then visit the official site for more info. And stay tuned for more coverage on these guys and their plans for the future.

Love & Anarchy Diary #2: The Economics Of A Comedy

Friday, September 18th, 2009

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informant_poster“Four white guys in suits getting together in the middle of a day – that’s not a business meeting, it’s a crime scene!”

Mark Whitacre, what a man! He blew the whistle on one of the biggest price fixing scenarios in the history, and he was ready to fall quite hard just because he wanted to do the right thing. Or did he?

The best way to enjoy The Informant! – the opening film of this year’s Love & Anarchy festivals – is not to know as little as possible, and let Steven Soderbergh guide you through it.

Now, one could film the story of The Informant! in two ways – with or without the exclamation mark. If it was without, I could imagine it being one of those cool, blue-and-gray -coloured economic thrillers that paint the corporates as being drug-abusing, whore-beating fat bastards riding in their limousines, and the federal agents as the poster boys for the Ruthless and the Corrupted. Trust me, there’ll be a lot of these films coming, given the day and age…

But Soderbergh isn’t like that. He smashes in an exclamation mark, makes Matt Damon put up 30 extra pounds and crafts a comedy out of one of the biggest economic crimes of the last century. The Informant! is a refreshing feel-good econocomedy promoted with funky Saul Bass -style posters, and – rarely enough nowadays – a film that delivers what it promises (man I was angry at District-9… how can a film with such a cool promo campaing just fail completely to deliver anything it’s promising…) I was entertained, educated and had a good laugh. Thanks, Steve!

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The turnout for the opening film was quite nice this year, as usual.

Instead of going to the afterparty, the Zombies decided to call it a night after the screening, and we treated ourselves with Steven Seagal’s Out For Justice – one of the finest Seagal films, from his golden era, early 90′s. This calls a Seagal special somewhere along the way in Zombie Room, but let’s have a quick look at what Seagal is doing today:

Yes. That’s him, beating the bad guys – and this time, it’s for real. Now imagine yourself doing a small-time 7-11 robbery or just plain beating the shit out of someone just for fun – and finding yourself face to face with Steven Seagal in police uniform. Not quite probable, but it *could* happen.

Zombie Room delivers you with the 5 basic rules you need to know before this happens, so read carefully.

1. Don’t make him angry. He’ll beat you down and breaks your wrists.

2. Don’t pull out a knife – he’ll break your wrists AND bury the blade in your face.

3. Don’t try to beat him with bare fists – he’s Steven Seagal for god’s sake, and he’ll break your damn wrists.

4. Don’t pull out a gun. You’ll be surprised to find out how easy it’s to shoot yourself with it, once you have Steven Seagal against you, and a pair broken wrists.

5. And last but not least: make sure you don’t spill any industrial waste, oil or other harmful substances to nature, or harm deliberately animals (especially dogs). Steve don’t like that. Actually, he’ll beat the shit out of you if you do it, and breaks your wrists, too.

If you follow these rules, you should be quite OK.


That’s how your face looks like if you ever end up on the wrong side of the law with The Man.

Jennifer’s Body is more than meets the eye?

Tuesday, September 8th, 2009

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Today I had a revelation. As usual I was surfing away in the world of Internet and suddenly I came across a trailer for Jennifer’s Body starring Megan Fox. I knew the film already of course, but had dismissed it completely for a while now and didn’t really know anything about it. I just knew I didn’t like it.  In fact I had made a promise that if there was one film this year I don’t want to see, Jennifer’s Body would be at the top of my list.

Even though, I clicked to watch the trailer and you can imagine my surprise when I discovered that Jennifer’s Body is written by Diablo Cody!!! An Academy award-winning writer of Juno!!! What??!! In a minute I went from totally hating the film to actually wanting to see it as soon as possible. This didn’t make any sense. Am I completely lost my ability to read into marketing campaigns? Has this happened to other people too..?

Everything started with this teaser poster for the movie. This is where I totally lost interest. It is the exact copy of…

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… this!!! Look familiar?

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At first I was pissed that they would rip of True Blood’s poster that obviously, but now I’m starting to wonder if it was deliberate… I started to poke around more and found out that not only is Jennifer’s Body written by a woman (and a great writer by the way), it is also directed by a woman (Karyn Kusama). She is the director behind Girlfight and Æon Flux, so she is quite familiar to directing hot girls act sexy. I could have sworn this movie is made by macho men to please horny teenage boys, but I was wrong. Well I guess the end part is still accurate.

You can make your own opinion by checking out the trailer after a few stills from the movie. It’s gettin’ hot in here…

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I highly recommend for you to also check out this cool Red Band trailer from here.

So as it happens this movie is NOT just about Megan Fox being hot for an hour and a half, but it actually has potential to be entertaining and a very well written horror-comedy. I don’t know about you, but I’m totally sold to see this movie now. I stand corrected and admit that even I make mistakes sometimes :)

- Essi

Making Of Iroun Sky Basterds

Sunday, September 6th, 2009

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Once upon a time in Nazi occupied France… in Cannes to be exact. A group of film makers decided to have a break from meetings and to have some fun.

We were in Cannes film festival for 8 days straight and everyone had lots of meetings and very little free time. So when we had one day that was more or less a free day, we decided to do something fun together. And because we are all big movie nerds, we just had to do our version of Inglourious Basterds trailer. We decided to re-make the whole trailer shot by shot, only using the soundtrack from the original trailer. It took us a bout 12 hours to do the graphics, organize and finally shoot the trailer. Let´s take a look at how this all came together.

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Everything starts with good planning. Here are Timo Vuorensola and Pekka Ollula looking for the right angels to shoot

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Samuli Torssonen is getting ready for his close-up as Hitler

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Samuli is getting in the zone

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Roll camera... and... ACTION!

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As you can see, we have a map of Cannes here covered with Swastikas just like in the original film... well almost

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We even got Iron Sky producer Tero Kaukomaa to play a part. Ukko Kaarto is making the last touch-ups to the props before shooting

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Ukko Kaarto as Lt. Aldo Raine. Each and every man under his command owes him one hundred Nazi scalps... and Ukko want his scalps!

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Pekka Ollula is getting his make-up done by Merja. The metamorphosis to Diane Kruger is almost complete

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Last adjustments to the wardrobe

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And the transformation is complete, you go girl!

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Ukko Kaarto, Timo Vuorensola and Merja Ritola are hanging around the "set"

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I have no idea what's going on here...

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Ukko Kaarto, Pekka Ollula and Merja Ritola are shooting a running scene

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Merja is running away from the Nazis

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We were shooting outside a sex store in the streets of Cannes and we were loosing light fast. But we got the shot.

And here’s where it all started, the original trailer for Inglourious Basterds.

And finally, here is the the end result of all of our hard work once again. Enjoy!

I have say that I had a blast making Iroun Sky Basterds and it was probably one of the funniest days of my life. And for that me and Timo would like to thank our wonderful team one more time: Pekka Ollula, Ukko Kaarto, Janne Torssonen, Christian Arnold, Merja Ritola, Tero Kaukomaa and Samuli Torssonen as Der Führer.

- Essi

Iroun Sky Basterds is here!

Thursday, September 3rd, 2009

The grandest of all Nazi films lately is coming to the theaters tomorrow here in Finland, so we decided to celebrate it with a small video we made with the Iron Sky team while in Cannes.

Enjoy ;)

Shot and edited during one quite fuzzy and hot day in Cannes by our wonderful Pekka Ollula, directed by umm maybe me or something :) Starring Ukko Kaarto, Essi Suomela, Janne Torssonen, Christian Arnold, Merja Ritola, Pekka Ollula, Tero Kaukomaa and Samuli Torssonen as Der Führer.

Espoo Ciné Diary # 10: Killin’ Nazis In Espoo Ciné

Sunday, August 30th, 2009

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As you know, all good things must come to an end, even Espoo Ciné. Today, my friends, is the last day of the 10 day-long festival. But do not despair, there is still some great screenings today, for example Javier Fesser’s Camino and Duncan Jones’s (The Méliès Jury of Espoo Ciné appointed winner of the competition for feature films) Moon.

Camino Aug 30th at 4.15 pm, get tickets here.
Moon Aug 30th at 6.15 pm, get tickets here.

But the most exhilarating screening today and the ultimate grande finale of the festival, is the long anticipated premiere of Quentin Tarantino’s Inglourious Basterds. It’s no surprise that the screening is completely sold out, but if you don’t have a ticket, don’t worry, the official premiere in Finland is on the 4th of September. Personally, I just couldn’t wait any second longer.

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I was in Cannes film festival this May where Inglourious Basterds had their world premiere. The film was accepted into the main selection at the 62nd Cannes Film Festival in competition for the prestigious Palme d’Or. It was the only U.S. film to win an award at Cannes this year, earning a Best Actor award for Christoph Waltz (although he is Austrian). Unfortunately I wasn’t able to see the film then, but I did go to the premiere to report from the scene.

Pics from the premiere and much more can be found from my Cannes Diary about the Basterds here.

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I want to thank Espoo Ciné organization from the bottom of my heart for this special screening. I have to admit that Inglourious Basterds is my most anticipated film of the year and I’m really exited about seeing it tonight. But first it is time to get in the Nazi killin’ mood and what better way to do that, than this appropriate clip from the movie.

Now it’s time to go to Espoo and actually see the film. I will be posting one more diary entry tomorrow to wrap things up, and later my review of Inglourious Basterds.

“You probably heard we ain’t in the prisoner-takin’ business; we in the killin’ Nazi business. And cousin, Business is a-boomin’.” – Lt. Aldo Raine

- Essi

Espoo Ciné Diary # 9: Camino

Saturday, August 29th, 2009

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I saw an amazing movie yesterday in Espoo Ciné called Camino. I was totally blown away by this Spanish gem and it is definitely one of my favorite movies of the festival so far. For some reason Camino has the most awful poster I have ever seen, and if someone wouldn’t have recommended the movie to me, I probably wouldn’t have ever seen it. So a big thanks for that! My advice to you is not to mind the poster, but to check out the trailer right after it.

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Camino is an award-winning Spanish feature film directed by Javier Fesser. The plot of the film is inspired by the real story of Alexia González-Barros, a girl who died from cancer at fourteen in 1985 and is currently in process of canonization. The film won six Goya Awards, including best picture, best director, and best original screenplay.

Camino reminds me a lot of Guillermo del Toro’s masterpiece El laberinto del fauno (Pan’s Labyrinth). In both films we see the world trough children’s eyes and in both films the main characters use their imagination to escape the horrible world around them.

You can read what the director Javier Fesser had to say about the film from here.

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There is still one more screening of Camino tomorrow on Sunday 30th of August at 4:15 pm in Tapiolasali in Espoo. Go see it and take some tissues with you.

For more info visit the official site and for tickets in Espoo Ciné press this link.

- Essi

Espoo Ciné Diary # 8: Outdoor Screening Of Mamma Mia! So Gay!

Friday, August 28th, 2009

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Yesterday I went to see Mamma Mia! in a special outdoor screening in Espoo Ciné. What made it extra special was a unique live accompaniment by a gay choir called Out ‘n loud. This movie had never really interested me in the past and I hadn’t seen it before for this reason, but I just could not resist when I heard of this special screening. And what do you know, I had an amazing time and I have to admit that I kind of liked it. You can check out the trailer after the poster.

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Mamma Mia! is probably one of the tackiest movies I have ever seen, but it actually works on it’s behalf. It is so over the top that it works! This movie is definitely not to be taking seriously and it is quite ludicrous at times, but somehow everything comes together in a happy, joyful way. I might loose all credibility for saying this, but I have to admit that I was totally getting into it and I was singing my heart out at the screening. I’m really happy that I hadn’t seen it before, because this was definitely the perfect environment for the best possible movie experience.

The screening itself was a huge success, there was not one empty seat and people were sitting in the lawn and everywhere they could. Here are some photos of the screening.

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That’s it for now!

- Essi

Espoo Ciné Diary # 6: A Bad Movie And A Premiere

Wednesday, August 26th, 2009

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With more than half of the festival gone, I have managed to see some pretty amazing films so far. For example Looking For Eric, Nord and Vinyan. So I guess it was only a matter of time that I walked into a bad one at some point. The movie in question was called Salvage.

Salvage is a British horror movie, that’s trying to be clever but fails to deliver any emotions what so ever, except the unexplainable urge to leave the theatre in the middle of the film. Well see for yourself, here’s the equally bad trailer.

On sunday was also the premiere of a Finnish film called Skavabölen pojat (Last Cowboy Standing). Unfortunately I missed it, but I was able to catch a glimpse of the Q&A that was held in the tent outside right after the screening. Here are some photos of the event.

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Skavabölen Pojat is the directorial debut of Zaida Bergroth and it will premiere on the 4th of September here in Finland. The movie is based on a play written by Antti Raivio and it is a story of coming to adulthood in 1970′s and 1980′s Finland. Here is the poster and trailer for the movie (in Finnish).

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To be totally honest, I don’t have too high expectations for this film. Finnish films are in most cases badly acted, boring and pointless. But don’t get me wrong, I hope it is good, but I just don’t want to get my hopes up you know. In any case it seems that people who have seen the film have really liked it, so who knows. I’m always eager to see debut films from new directors, so I will definitely go and see it.

Later!

- Essi

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