Archive for the ‘Review’ Category

Zombie Room Review: Metropia (2009)

Thursday, October 8th, 2009

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I remember when I first came to contact with Metropia. It was trough our favorite movie site Twitch and I instantly fell in love with the cool visual style of the movie. Since then I have been eagerly anticipating to see it. Finally at Love & Anarchy film festival the Zombies got to see it.

First check out the trailers below.

Metropia takes place in a not-so-distant future. The world is running out of oil and the undergrounds have been connected into a gigantic subway network beneath Europe. Whenever Roger (Vincent Gallo) from Stockholm enters this system he hears a stranger’s voice in his head. He looks to the mysterious Nina (Juliette Lewis) to help him escape the disturbing web of the Metro, but the farther they travel, the deeper he’s involved in a dark conspiracy.

Director Tarik Saleh’s Metropia deals with themes of monitoring, surveillance and control. It’s a grim world where a popular shampoo can transforms your hair into little antennas so your thoughts can be heard and your mind can be manipulated to consume or worse.

Metropia’s true magic lies in it’s amazing and unique visual style. The weirdly realistic animation is a mixture of still photographs and 2D Animation, the kind I don’t ever recall seeing before. The photographs were edited in Photoshop, and animated in Adobe After Effects. Apparently ordinary people spotted on the streets were used as models for the characters. Director Tarik Saleh has a background both in animation and graphic design, which would explain his ability to create such a beautiful and absurd world as in Metropia.

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An example of Metropia's beautiful color palette

Metropia also has quite the impressive voice cast. Vincent Gallo plays Roger, who accepted his part as the lead voice actor after having seen 30 seconds of finished animation as well as hearing that German actor Udo Kier, of whom Gallo was a fan, already was attached to the project. Juliette Lewis is the voice of the mysterious Nina and the voice in Roger’s head, Stefan, is portrayed by Alexander Skarsgård. Also Stellan Skarsgård gives his voice to Ralph.

The Skarsgårds

The Skarsgårds

CONCLUSION
Metropia is a one of a kind animation. It is not without flaws, but it is still one of most original and captivating movies of 2009. I can’t wait to see what director Tarik Saleh will do next.

Ps. Once again I have no news on when this movie will be distributed in Finland, but when I do I will let you know. In the mean time you can check out more info from the official site.

Zombie Room Review: Inglourious Basterds (2009)

Friday, September 4th, 2009

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Today is the highly anticipated premiere of Quentin Tarantino’s Inglourious Basterds here in Finland, but I was lucky enough to see the movie already in Espoo Ciné film festival last sunday in a completely booked screening. People had travelled from all over the country just to see the movie in advance and a good thing that they did, because QT delivered a well written, funny, violent and surprising movie, that proved once again that Tarantino is an amazing film maker. So to all you doubter out there, don’t worry, Tarantino did it again!

Read this article with caution, because it may contain some spoilers!

The story is set in alternative history in Nazi-occupied France during World War II, where a group of Jewish-American soldiers known as “The Basterds” are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis.

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Just like all Tarantino films, cast-wise Inglourious Basterds is close to perfection.

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The Nazi hunters. Eli Roth as a baseball bat-swinging Staff Sergeant Donny Donowitz aka "The Bear Jew" and Brad Pitt as Lt. Aldo Raine aka "Aldo the Apache"

Tarantino is very known for his strong female roles and Inglourious Basterds is no exception. An elite assassin Beatrix Kiddo aka Black Mamba / The Bride and a flight attendant Jackie Brown are just a few examples of Tarantino’s obsession with portraying powerful women in his movies. In Inglourious Basterds the title goes to Shosanna Dreyfus (Mélanie Laurent) who loses her family by the evil hands of Col. Hans Landa. She returns to Nazi-occupied France to claim an old cinema that she inherited from her deceased family, where she plans her bloody revenge on the Nazis. This phenomenon can be explained by the fact that Tarantino was raised by a career-driven successful single-mother and her effect can be seen in almost all of Tarantino’s movies.

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Shosanna Dreyfus: "It looks like we're supposed to have a Nazi premiere"

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Diane Kruger plays Bridget von Hammersmark. The Marlene Dietrich based character is a very popular German actress who secretly works against the Nazis as an informant/assassin.

Tarantino is no stranger to the Cannes red carpet, had he won the prestigious Palme d’Or for Pulp Fiction back in 1994. This May he returned there with Inglourious Basterds, which was the only American film to receive any prizes in Cannes this year, when Christoph Waltz won the award for Best Actor. Waltz portrayed Colonel Hans Landa, the sinister yet poetic pipe-smoking “Jew Hunter”. I have to admit that I had never heard of him before, but after Inglourious Basterds he skyrocketed to the top of my list of European actors. Not only is his character perfectly written, Waltz’s interpretation of Landa is absolutely mind-blowing. His performance alone is more than enough reason to go see the film.

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The venue for the Nazi premiere is modeled after a movie theatre in Los Angeles

Inglourious Basterds is daring, original and very entertaining, especially for movie nerds like myself. In every frame you can see and feel Tarantino’s true love for films. It is the perfect combination of a spaghetti western, war movie and revenge story with the perfect (and long anticipated) alternative ending to history. No doubt this film is getting nominations at the Oscars.

- Essi

Zombie Room Review: Che (2008)

Wednesday, April 1st, 2009

zombieroom_reviewI saw both Che: Part One and Che:Part Two in a row. For me it was important to see them together so I waited for the release of the second one. In this review I will be talking about both films more or less as a one.

The film is directed by Steven Soderbergh. He has an ability to joggle between big budget movies and small indie films without even breaking a sweat. Although he is not the safest bet, Soderberg has done quite a few amazing movies in the past like my absolute favorite Sex, Lies, and Videotape. He has always had a spesific way of telling stories trough his lens, all clearly influenced by cinema of the 70´s. When I went to see Che I was expecting more of the indie qualities to resurface, as they did, but I was blown away on how “arty” the film actually was. No, arty is not the right word, let´s say challenging.

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STORY

The film itself is separated in two parts, each of them being a little over two hours long. In the first part we discover Ernesto “Che” Guevaras earlier years with Fidel Castro and his revolution in Cuba. Set in 1956, Che and a band of Castro-led Cuban exiles mobilize an army to topple the regime of dictator Fulgencio Batista.

The second part is set years later in 1966, when Che has left his family and countrymen in Cuba and gone to Bolivia, to to start another revolution. There he lives his life in disguise. This time the revolutionarys are not that revolutionary and everything goes to hell in the end. The movie is mostly set in forests and it consentrates on showing what being a guerilla or a true revolutionary really means. It basically means little or no food, being on the mercy of the weather and just waiting around in the woods doing nothing, with the ocational gun fights and blowing things up bits.

Che is unique in the sence that there is nothing glamorous about it and it definitely doesn´t glorify the revolutionaries or even the ideals. It just is what it is.The film format itself is very demanding and it doesn´t underestimate the audience, not at all. This I thought was especially good about the movie. After seeing the movie, I felt almost proud of seeing it. The film really made me think about the modern cinema and how easy everything has been made to the audience these days.

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CAST & CHARACTERS

Che has an amazing cast and I don´t mean it like it would be packed with Hollywood A-listers. In fact it is the exact opposite. Of course we have the amazing Benicio Del Toro in one the best performances of his life, but other than that the cast is very unkown. Well Matt Damon is in the film for 5 minutes and Franka Potente has a smallish role but that´s it. Demián Bichir is playing Fidel Castro and he is absolutely perfect for the role. Not only is he the spitting image of a young Castro, he is also a great actor and gives an amazing perfomance. You almost feel bad that you don´t get to see him trouhg the whole film. There is not even one bad performances in Che, the casting is just perfect in every possible way.

One of the most interesting directorial choices in the movie was the distance that was kept from the main character Che. You would imagine that a film maker would want to revile some things about the iconic person and bring depth to the charecter, but not Soderberg. I didn´t have that much trouble with this, because I think Soderberg wanted to maintain Ches symbolic and iconic status, much like that famous picture. Only problem with this kind of story telling is that you don´t feel very much emotion, fear or love for your character.

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GENERAL BABLE

I spesifically want to give extra credit to Soderberg for doing this movie in the original languages. This almost never happens with American cinema. Everyone speaks English everywhere. Or even worse, they speak english with fake accents. I hate that by the way! I think the only one who has done it succesfully is Steven Spielberg in for example Schindler’s List. People actually have their own languages all over the world, so why not speak them. Most American´s won´t read subtitles and even the notion of something foreing makes them run. Too bad for the rest of the world…

I do have to say that it is a miracle that Soderberg has ever gotten the green light for this project. Don´t get me wrong, I liked it very much, but this movie is NOT for the masses. In fact the film has flopped quite badly everywhere. I´m not surprised. The film is allot to take in, but it is also one of the most interesting ones I´ve seen in while. But I still think it is a damn shame that people don´t seem to be very open for different things.

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CONCLUSION

Negatives:

- Matt Damon (he is in the film only 5 minutes, but still)

- There was something weird in the use of music

- Ok, it was a little boring.

Positives:

- Cast (especially Benicio Del Toro and Demián Bichir)

- Language (all original languages, you don´t see that too often)

- Locations (beautiful and ugly at the same time, felt really genuaine)

- Realism (realism is boring, and so was this film at times, but that is real)

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Che is a very good movie. It is not your typical biopic, it is raw, honest and demanding. My advice to everyone is to go see the both parts in the same day. I kown allot of people who are still wondering if they shoud go see it, to them I say YES if you want to be challenged to something different and NO if you don´t.

- Essi

Watchmen Review

Saturday, March 7th, 2009

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I just got back from seeing Watchmen, and here are some of my thoughts on the film (this entry contains some spoilers).

Obviously, I have been eagerly anticipating this movie for a long time now and it is definitely one of the movie spectacles of 2009. That being said, I have also been afraid to see it. It´s not because I was afraid if the comic book would or would not translate to the silver screen (because that would’ve been impossible anyway), it´s because Watchmen is directed by Zack “300″ Snyder (I still can´t figure out if 300 was the manliest or the gayest movie ever made). Now after seeing Watchmen he became even a bigger mystery to me; is he a genius or is he just the tackiest and tasteless director ever..?

The Comedian

First of all it is good to keep in mind that Watchmen is not your typical superhero movie (or graphic novel for that matter). It is definitely not a movie you bring your kids to and enjoy with the whole family. It has horror movie -like violence (lots of it), explicit sex, male full frontals all through the movie, and of course the really dark undertones of the story and the characters. There is not even that much heroism in it.

The story takes place in a time when almost all the once celebrated masked heroes are either retired or dead. And the ones that are still left are more or less inactive. They have real human problems and the world is a twisted place, where nuclear holocaust could happen any second. The story jumps back and forth quite a bit, which isn’t typical for this genre. But the real problem with Watchmen seems to be that it is quite uneven at times. It has ridiculous looking costumes, weird songs, explicit sex, über violence and the story is very dark and serious. All this of course came together in the comic book perfectly, but I wish the movie would have been updated to this day a little bit. Not much, but enough so that you can actually take it seriously.

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The thing that actually bothered me the most, and also the thing I can´t seem to get out of my head was Dr. Manhattan´s big blue penis. Yes penis. Big and blue. And also his ass, now that I think about it. Well, I don´t have anything against these body parts per se, but it did give the movie experience a little bit of a weird vibe. I just kept on thinking about the guy who was assigned to do the 3D-modeling on Billy Crudups (huge) cock. Anyway my point is that this distracts from the story itself. Yeah yeah, it´s like that in the comic book, and yeah it brings more depth to the character who has lost almost all contact to being human, but so what? There is no reason to see that much of anything blue…

The other thing was the soundtrack. It felt really out of place and even odd at times. But once again I can´t decide if it was actually totally awesome or a big fat fail. In any case I don´t think you can justify 99 luftballons under any circumstances, I don´t care who you are. But it was like that with almost everything, almost everything was a little off. Although I have to hand it to Snyder, it was definitely a unique and one of a kind film experience, and that´s always a good thing!

There were also tons of pretty awesome things in the movie. Of course the story is absolutely brilliant, as were the casting choices. One of my favorite things in the movie was Jackie Earle Haley as Rorschach (a sociopath with principals). He was charismatic with and without the mask! Also top marks on the cinematography and production design (which was – of course – expected from Snyder). The movie did look good, I especially liked the wide range of colors that was used in the sets and costumes, lighting etc. That part of the film for me worked perfectly, so visually it was definitely a 5 star movie.

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So what is the final verdict? I´m going to give 4/5 stars, because I did enjoy the experience and it definitely had a new and fresh approach to the genre (with the occasional moments of cinematic eye candy). In fact, storywise this is my favorite super hero movie to date.

ps. In case you need some protection from Dr. Manhattan :)

- Essi

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