Archive for the ‘Diaries’ Category

The Cannes 2010 Diary #1: First Day Buzz and Robin Hood Fuzz

Wednesday, May 12th, 2010

Bonjour dear readers! The Zombie’s have arrived at Cannes Film Festival and we are here to bring you all the best news and scoops that the French Riviera has to offer. And especially we will be reporting on what the hell we are doing here. The 63rd edition takes place from 12 May to 23 May 2010. The weather seems very nice right now, but just a couple of weeks ago the town was covered in snow and huge waves were crashing the beaches of Boulevard de la Croisette. Luckily everything seems to be in order now, the sun is shining and the rosé wine is flowing.

First I want to explain our brand new logo for this year’s Cannes, although the reason should be quite obvious. Tim Burton is the president of the prestige Cannes Jury this year and I wanted a very Burtonesk feel to the logo. So this is what I came up with. The general look of the festival and of course the official poster is electric blue mixed with cool lights. Check out the official poster for 2010 Cannes Film Festival below.

Today is the opening day of the festival and the film opening the show this year is Ridley Scott’s Robin Hood. I don’t think there’s much point in repeating the plot, since there probably isn’t a single person who hasn’t heard, read or seen stories of the famous outlaw that steels form the rich and gives to the poor. Even though the tagline says it’s the untold story of the legend. I wonder… My problem with the film is that it just feels a bit bland. And to be completely honest, I’m not interested in the movie at all. I’m starting to get really fed up with all these remakes, reboots and just plain repeats of old movies and stories. I mean has the world run out of original ideas? I’ll try to scan some actually interesting films from the festival and will let you know if I do.

In any case I’m going to check out the big premiere tonight (not the movie though) and post some photos tomorrow. Robin Hood is actually premiering world wide this week, so it doesn’t feel too special of an event anyway. But who knows, maybe I’m wrong and the movie is great. I have decided to watch it only if the Cannes response is positive, otherwise forget it Scott! The VIP guests will be strutting their stuff across the red steps of the Cannes Palais des Festivals and hudreds of fans are there to see them. Today’s big stars are of course Russell Crowe and Cate Blanchett who will be to attending the premiere. Unfortunately director Ridley Scott couldn’t make it because of some injury he suffered.

Here’s just one example of how Robin Hood is being marketed here in Cannes.

But Robin Hood aside, Timo and the rest of the Iron Sky team have set up their offices at The Grand Hotel, one of the most central and important locations you can possibly have in Cannes. Here’s a photo of the awesome banner that’s in their balcony proudly taking place among the so called big films and companies. We will be writing about all the Iron Sky news here in Zombie Room, but here’s a link for something extra.

Check back tomorrow for more pictures and a report from the big premiere of Robin Hood. Also remember to follow us on Twitter for some TwitPics and comments on the festival: Essi’s Twitter, Timo’s Twitter and Zombie Room’s Twitter.

Night Visions Back to Basics 2010: Day 2

Sunday, April 11th, 2010

Yesterday was the so-called main night of Night Visions. The program consisted of 7 movies and they ran trough the whole night. Kino Engel was again totally packed and at least in the beginning of the night all the screenings seem to be sold out. And why not, the range and quality of the films were better than ever.

Here’s a couple of photos from the very crowded Kino Engel.

Before the actual movies started the Zombies got to meet the main guest of the festival Buddy Giovinazzo over coffee. We had an interesting discussion and got to ask some directorial advice from him. Timo and Buddy found a common ground in Udo Kier, who will be playing a part in Iron Sky and who has starred in two of Buddy’s projects in the past. Udo and Buddy are dear friends and we got some great pointers from Buddy on how is it to work with him. Buddy said that “when Udo is on set, it’s his party and everyone is invited” with a kindness that made us even more exited to meet him in the future.

Buddy had two films screened at Night Visions, first was his debut film Combat Shock and the other was Life Is Hot in Cracktown. The director was there to open the screenings and give Q&A’s.

Read my previous articles about Buddy Giovinazzo here and here.

Here’s a couple of photos from Life Is Hot in Cracktown.

After our conversation with Buddy, we headed out to Kino Engel to see The Crazies. It is a re-make of the 1973 George A. Romero’s classic of the same name, but it doesn’t quite hold a candle to it. The Crazies is a zombie film that forgets to really explore the zombies itself. We of course get to see the zombies or the crazies in this case, but not nearly as much as I would have hoped to. Also they played it way too safe on the gore aspect as well. The only scene that actually worked was the morgue scene with Timothy Olyphant. Oh well, I’m not too surprised. This is exactly the kind of horror movie Hollywood is mass-producing at the moment. In short: nothing new, seen it before a dozen times and no surprises.

The festival has now officially ended, but will be back again in October 2010 with Maximum Halloween. I want to thank Buddy Giovinazzo for attending the festival and also to give a special thanks to Liisa Lehmusto and Mikko Aromaa from Night Visions. You guys are awesome!

But before I end this post, here’s a little treat. Apparently after we left (which was way too early I’m afraid, but we were dead tired) the baby from Buddy G’s Combat Shock had found it’s way to Kino Engel. If you don’t believe me, check out the proof below.

For more info visit the official site.

Until next time, Zombies out.

Night Visions Back to Basics 2010: Day 1

Saturday, April 10th, 2010

Yestreday was the first day of Night Visions and as suspected Kino Engel was completely packed with people. One reason is that Night Visions is quite popular and the other is that Engel is a small, but atmospheric little theatre in Helsinki. So it doesn’t take much for it to be crowded. What I love about Night Visions is definitely the people who attend the screening (yes, movie nerds) and the feel of comradory that you get from watching weird and disturbing films in the middle of the night. Almost like only the most hard-core movie nerds can do this! Well I guess that just makes me the biggest geek of them all.

I saw three films last night in the following order: Combat Shock (1986), Harry Brown (2009) and Kick-Ass (2010). The night started with the cult classic Combat Shock. The director of the film and the main guest of the festival Buddy Giovinazzo was there to open the film and also to do a Q&A after the screening. We actually got to see the original 16 mm print and even if the quality was pretty bad, it was totally uncensored and for a moment there it felt like I was transported back to the late eighties.

I absolutely loved Combat Shock. It was, as the director said himself, a complete opposite of what kind of Vietnam veteran movies were being made in America at that time. Rambo had just came out and bunch of other films where the veterans were portrayed as heroes. Buddy G took another approach, where a soldier never recovers from the drama he had experienced in the time of war. The movie is very explicit, nasty and depressing, but it still feels very genuine and much more believable than more famous movies on the subject. Combat Shock is a combination of David Lynch’s Eraserhead and Taxi Driver, mixed with E.T on acid. These are the directors words not mine, but they just as well could have been, because the influences are very in noticeable – but in a good way.

After Combat Shock I was ready to return to modern times and went to see Harry Brown. This movie surprised me on how good it actually was. I was sort of expecting Michael Cane to be a bad ass vigilante, which he no doubt was, but the mood of the film is not what I expected. The opening scene set the tone for the whole movie and it kind of put me in my place. This is a movie that is going to be gruesome and pressing so get ready for it. And I did. Great performance from the very elderly looking Michael Cane and also from all of the cast, especially that one drug addict from who Harry Brown tries to buy an illegal gun from.

The night ended or should I say the morning began with Matthew Vaughn’s Kick-Ass. The screening started at 01.00 am, but it didn’t matter how tired you might have been at that point, as soon as the the first images projected to the screen you were wide awake and then the fun started. Night Visions management had received specific orders from the studio that the reactions of people at the screening were to be recorded using a night vision (pun intended) camera. And after seeing the film, I can understand why. I’m writing a review of the film, so I’m gonna save most of my words on the content for that, but I have to say that Kick-Ass definitely was a full on fun fest! It was the most entertaining movie since Inglourious Basterds and it will be the smash hit of this spring. If you want to have fun, go see this film.

Tonight I have tickets to see four films (if I can just stay awake that long): The Crazies, [Rec] 2, Life Is Hot in Cracktown and Valhalla Rising.

For more info visit the official site.

See you at the festival!

Night Visions Back to Basics 2010: Buddy Giovinazzo and Gaspar Noé Guests at the Festival

Friday, April 9th, 2010

The weekend is here and it’s time to fill the fridge with energy drinks because there will be no sleeping during the next couple of days. It’s time for Night Visions Film Festival. The Zombies are obviously attending and blogging daily (or should I say nightly) from the festival. Starting right now.

First I wanted to talk about the the guests.

Main guest of the festival is Buddy Giovinazzo (in the picture above) who is an American independent filmmaker. He is most known for his gritty low budget debut film, Combat Shock, which will be screened at the festival. His latest film Life is Hot in Cracktown will also be screened this weekend. The Zombies are going to see both films for the first time and rest assured we will be posting our opinions here at Zombie Room. You can meet Buddy Giovinazzo at Kino Engel.

COMBAT SHOCK (USA 1986)
Friday 9.4 21.00 Kino Engel 2
Saturday 10.4 23.00 Kino Engel 2

LIFE IS HOT IN CRACKTOWN (USA 2009)
Sunday 11.4 01.00 Kino Engel 1 & 2

Another interesting guest can be spotted today at the screening of I Stand Alone (Seul contre tous). The director of the movie, Gaspar Noé, will be attending the screening to open the film. Also at the beginning of the screening people will get to see the trailer for Noé’s upcoming film Enter the Void (a movie I’m dying to see), which apparently is shown for the first time here in the nordic countries. Unfortunately the Zombies will miss this, since we have tickets to see another film that’s being screened at the same time. Noé is quite an important director for me personally. I love Irréversible which is one my favorite movies from the past decade. He has a great sense of violence and he does skillful, original and very pressing films. He is definitely one the most interesting film makers in the world. Hopefully I have change to meet him in anyway.

I STAND ALONE
Friday 9.4. 23.00 Kino Engel 1


Seul contre tous – Trailer

Also here’s a teaser (or something) for Enter the Void I found from the Internez.

For more info visit the official site.

See you at the festival!

60th Berlin Film Festival Diary # 5: A Look at the Movies in Competition

Friday, February 19th, 2010

It’s funny how nobody ever seems to stay for the actual award ceremony that’s held at the end of a festival. The winners for the 60th Berlinale are being announced tomorrow night and the whole festival seems to be almost deserted. The closing event will be broadcasted via a live video stream at least through Berlinale’s own website, here.

But let’s not get ahead of ourselves, first let’s take a look at the official selection. If you didn’t get a chance to check out the movies yet, here’s a recap of the all the movies in competition this year.

Bal (Honey)
Turkey, Germany
Director: Semih Kaplanoglu
This film tells a story of a six-year-old boy who ventures into a mysterious mountain forest – alone – in order to search for his missing father, a beekeeper.

Caterpillar
Japan
Director: Koji Wakamatsu
Lieutenant Kurokawa returns highly decorated from the second Sino-Japanese war. He has lost both his arms and his legs during the conflict. Before long, the attentions of everyone in his village – neighbours, friends and relatives – are focussed on his wife, Shigeko. They all look to her to honour the Emperor, do her duty to her country and provide a shining example to others by devoting herself to caring for this war hero …

Der Räuber (The Robber)
Austria, Germany
Director: Benjamin Heisenberg
Der Räuber tells the story of a multitalented man: Johann Rettenberger is a successful marathon runner and a serial bank robber. Soberly and precisely he measures his heart rate, strain, stamina and efficiency – both during training runs and bank raids, from which, concealed beneath a ludicrous mask and armed with a pump gun, he takes flight from the police.

En Familie (A Family)
Denmark
Director: Pernille Fischer Christensen
Ditte is part of a renowned family of bakers, the Rheinwalds. She is also a successful gallery owner and constantly on the move. Having been offered her dream job in New York she decides, along with her boyfriend Peter, to accept the offer and move to the Big Apple. The future is bright and life is fun and simple.
The couple are on their way when Ditte’s beloved and charismatic father, Rikard Rheinwald, master baker and purveyor to the royal court, falls seriously ill. Ditte calls off the move to New York in order to be with him and before long her own way of life hangs in the balance.

En ganske snill mann (A Somewhat Gentle Man)
Norway
Director: Hans Petter Moland
Ulrik has spent twelve years behind bars for murder. After his release he rents a small basement room. Ulrik doesn’t say much, but everyone he knows thinks he deserves a second chance. His gangster friend welcomes
him with a pot plant. They talk about the good old times and about some unfinished business that Ulrik has with Kenny, who was to blame for Ulrik’s spell in prison. Kenny will pay for this with his life.

Eu cand vreau sa fluier, fluier (If I Want To Whistle, I Whistle)
Romania, Sweden
Director: Florin Serban
Silviu, a young delinquent, is about to be released from reform school. Only five days to go. But ever since he learned that his mother has suddenly reappeared on the scene after a long absence and is determined to take his
young brother away to live with her, these five days have seemed like an eternity. Silviu himself has raised his little brother and loves him as if he
were his own son.

Greenberg
USA
Director: Noah Baumbach
Florence Marr is the Greenberg family’s personal assistant. Her day is filled with fulfilling other people’s wishes. Florence’s own modest existence is in marked contrast to the busy lives led by the Greenbergs in their elegant villa in Hollywood Hills. Florence lives in a tiny studio apartment and, from time to time, performs as a hopeful singer at open mike evenings. When her boss Phillip Greenberg and his family go away on a long trip abroad Florence finds herself with time on her hands. As usual she keeps an eye on the Greenberg’s house, takes care of their dog, Mahler … and now also Phillip Greenberg’s brother, Roger, who has been asked to house-sit.

Howl
USA
Director: Rob Epstein, Jeffrey Friedman
In 1957 an American masterpiece was tried before a court of law. Standing trial was the poem ‘Howl’ by Allen Ginsberg, which he recited for the first time in public at the Six Gallery in San Francisco on 7 October 1955. Two years later, the poem appeared in print, published by City Light Books, a publishing house owned by the poet Lawrence Ferlinghetti. The tiny print run of 520 copies was subsequently seized by the police and Ferlinghetti found himself in court, having to account for ‘distributing obscene literature’. The trial, which was to make ‘Howl’ and its creators famous overnight, is still considered to be the moment when counterculture was born.

Jud Süß – Film ohne Gewissen (Jew Suss – Rise and Fall)
Austria, Germany
Director: Oskar Roehler
Ferdinand Marian was the actor who in 1940 gave a brilliant performance in the lead in Veit Harlan’s Nazi propaganda film JUD SÜSS – but the role was to break him. The situation already begins to come to a head for Marian during the filming when his wife distances herself from him because she can’t bear to see how her husband has changed.

Kak ya provel etim letom (How I Ended This Summer)
Russian
Director: Alexei Popogrebsky
One place. One day. Two men. The place is a polar station on a remote island in the Arctic Ocean. A day up here in the far north lasts weeks, since the sun never sets during the summer at this high latitude. This used to be an important research station but, Sergei, an experienced meteorologist and Pavel, a high school graduate, are now the only inhabitants. Soon a ship will arrive to pick up the two men. For Sergei this will mean the end of a sojourn that has lasted several years. He is anxious about returning to his wife and child on the mainland.

Mammuth
France
Director: Benoit Delépine, Gustave de Kervern
A slaughterhouse worker, heavy and reticent, has just turned sixty and his colleagues have organised a farewell party to celebrate his retirement. The man began his working life at the age of sixteen; he has never lost a job, or been off sick. But then he discovers in an interview at the works’ pension fund that, during the course of his chaotic working life, no fewer than six of his employers have ‘forgotten’ to register his earnings. If he is to receive his pension he will have to furnish the necessary proof of employment. Egged on by his wife, the protagonist climbs onto his old seventies ‘Mammoth’ motorbike that has earned him his nickname, and returns to the places of his youth.

Na putu (On The Path)
Bosnia and Herzegovina, Austria, Germany, Croatia
Director: Jasmila Zbanic
Luna and Amar are a couple. Their relationship is under great strain. First of all, Amar loses his job for being drunk at work. Luna is very worried and has little hope of realising her fragile dream of having a child with Amar. But her fears for their future increase when Amar takes on a well-paid job in a Muslim community hours away from where they live. Only after quite some time has elapsed during which they have had no contact with each other, is Luna allowed to visit Amar in this community of conservative Wahhabis in its idyllic lakeside location.

Rompecabezas (Puzzle)
Argentina, France
Director: Natalia Smirnoff
It’s Maria’s fiftieth birthday and her family give her a jigsaw puzzle as a present. She is highly delighted and pleasantly surprised, because Maria has made an astonishing discovery: not only does this patient housewife enjoy doing puzzles – she’s also extremely good at them. Thrilled by her new passion, she goes straight back to the shop where her present was bought to get another puzzle, and comes across an advert on the notice board: “Partner wanted for puzzle tournament”. Maria plucks up all her courage and, ignoring her family’s reservations, decides to respond to the advert.

San qiang pai an jing qi (A Woman, A Gun And A Noodle Shop)
People’s Republic of China, Hong Kong, China
Director: Zhang Yimou
Wang runs a little noodle shop in a small desert town near Jiayu Pass not far from the Great Wall. He lives in his shop with his wife and their staff. But life with Wang is far from pleasant: he’s a real skinflint who only thinks about himself, and he sometimes doesn’t pay his staff for months on end. His wife also suffers at the hands of this domestic tyrant, although a discrete affair with Li, the shy cook, helps her to bear her lot in life.

Shahada
Germany
Director: Burhan Qurbani
This episodic film revolves around Maryam, Samir and Ismail, three young Muslims living in Berlin. During the course of their stories, their faith, and their value systems begin to falter. The film portrays three people forced by circumstances to find a new path in life and to ask themselves who they are, who they love and what they believe in. Their paths cross at a mosque led by the enlightened Imam, Vedat.

Shekarchi (The Hunter)
Germany, Iran
Director: Rafi Pitts
Ali has recently been released from prison and is now working as a night watchman in Tehran. This factory job now means that he is at least able to support his small family comprising his wife Sara and their daughter, Saba. One day, Ali comes home from work to discover that Sara and Saba have disappeared.

Submarino
Denmark
Director: Thomas Vinterberg
The story of two brothers who lose track of each other after an unstable childhood until they meet up again in prison is the focus of former ‘Dogma’ director Thomas Vinterberg’s film based on a book by Jonas T. Bengtsson, a Danish novelist celebrated for his unflinching realism. The film’s title refers to an horrific method of torture known as ‘submarino’ in which the target’s head is held under water to just before the point of drowning.

The Ghost Writer
France, Germany, United Kingdom
Director: Roman Polanski
‘The Ghost’ – a successful British ghostwriter – has been asked to write the memoirs of Prime Minister Adam Lang. The publishers have promised Lang millions for his book and time is running out. For the ghost the assignment means a giant leap in his career, and a princely fee. But the project is ill-fated from the outset, not least because the first writer, Lang’s long-standing advisor, has just been killed in a tragic accident.

The Killer Inside Me
USA, United Kingdom
Director: Michael Winterbottom
A neo-noir adaptation of a hard-boiled pulp classic, Michael Winterbottom’s new film is based on a novel by Oklahoma-born crime writer Jim Thompson (1906 –1977) who worked as a screenwriter for Stanley Kubrick and furnished screenplays for films such as THE GETAWAY (Sam Peckinpah, 1972), COUP DE TORCHON/CLEAN SLATE (Bertrand Tavernier, 1981) and THE GRIFTERS (Stephen Frears, 1990). ‘The Killer Inside Me’, which appeared in 1952 and was brought to the screen in 1976 by Burt Kennedy with Stacy Keach in the lead, is one the most personal works by this often underestimated writer, whose father was a sheriff in Oklahoma until he was accused of embezzlement and escaped to Mexico.

Tuan Yuan (Apart Together)
People’s Republic of China
Director: Wang Quan’an
Over fifty years after the proclamation of the People’s Republic of China on the Chinese mainland and the founding of the island republic of Taiwan, permission is given for the first time for a group of ex-soldiers of the National People’s Party or Kuomintang to travel from Taiwan to China and be reunited with family members in Shanghai. These soldiers fought bitterly against Communist troops during China’s civil war from 1927 onwards, until they were forced to retreat to Taiwan in 1949. One of the comrades-in-arms travelling with the group to his former home in Shanghai is an ageing soldier named Lui Yansheng. His reason for embarking on this journey is not to see the family members he left behind on the mainland but to find the one and only love of his life, Qiao Yu’e, whom he was obliged to leave behind in Shanghai without a word of farewell, and their son, who was born after he took flight.

—–

Like I said the award ceremony is tomorrow night and I will be posting the results in Zombie Room naturally.

60th Berlin Film Festival Diary # 4: The Dark Side of the Movie Industry

Friday, February 19th, 2010

Tonight is the last night until we wrap Berlin up for this year. Tomorrow we head back home to Finland. I have to say though that I’m not at all eager to leave yet, Berlin has stolen my heart forever and I will miss the town very much. But it’s not over yet. Here’s my little intake on the dark side of the movie industry.

I had these grand ideas of scanning the market for all the zombie films out there. I even thought I would do a list of the worst movies in the EFM. But once again I was reminded how awful the film market really is. First of, I didn’t see any zombie films (which is kinda weird) and all the films I did saw would have easily made it into the worst list. Because let’s face it, most of the films in the market are bad or worse. So I decided that I don’t want to waste even a second on that crap. And just so you know, I won’t be making those lists this year or any other year for that matter.

I know that might sound boringly idealistic, but this is for your own good. Trust me.

I remember my first contact to the dark side of the movie industry when I went to Cannes film festival for the first time a couple of years back. As soon as the first oooh’s and aaah’s faded away and I walked inside the film market, I realised that the festival actually had nothing to do with art or even with the joy of film making. It was just down and dirty business. It’s the same here in Berlin, althought the market is smaller and a bit more inviting. I guess what I’m trying to say, is that if you love movies and want to keep it that way – stay out of the big film festivals.

Well it’s not complitely that black and white of course. Both in Berlin and Cannes the quality of cinema in the official selections are exquisite. Soi f you can just go see those movies, and enjoy the beutigul cities around them while your at it, you’ll be just fine.

For years now I have been wondering who are these people, these buyers, who actually buy these movies and even more who watches them… I’m guessing it’s not the Finns, since I never seen most of these films outside of the market. And thank God for that. Also the makers of these films puzzel me. They can’t be doing this for the fun of it. Or at least that’s what I hope.

I chose Death Kappa to finish this post, to give you an idea of what’s being sold at the market. Although in it’s horrific awfulness it is actually pretty awesome. So maybe it’s not the best example, but I think you get the idea. Here’s the promo.

And as my friend Todd Brown from Twitch said in his FB status: ”Dear films in the EFM market: Get better. That is all.”

60th Berlin Film Festival Diary # 3: Exit Through the Gift Shop by Banksy

Monday, February 15th, 2010

I would like to start this blog by telling you a little about the hotel we are staying at here in Berlin. It’s called The Circus Hotel and it is most definitely the best hotel in the world. They have a great and helpful staff, organic food (especially the breakfast is great) and most importantly they have a fast and totally free internet in hotel. And just as we thought this place couldn’t get any better, the receptionist stopped us yesterday as we were going to our room and asked if we wanted to go see a movie. Apparently they just give out presents every now and then to the guests. The movie in question was the international premiere of Exit Through the Gift Shop, which is the directorial debut by Banksy, the world’s most notorious street artist. Needless to say, we accepted.

Let’s start with the trailer of the movie, so you get a better idea of what I’m talking about. I love that in the trailer it says “The world’s first street art disaster movie”. That might not make too much sense now, but after you see the film – the quote is indeed appropriate.

The premiere was held in the Berlinale Palast where I had never been to before, so I was very exited to go there. As the movie starts you kinda scratch your head for a while trying to figure out what’s it about. This feeling actually continues for quite a long time and then all of a sudden the movie turns into a funny and exiting documentary about a French immigrant called Thierry Guetta who had an obsession both in filming and in street art. The movie was described by Banksy as “The story of how one man set out to film the un-filmable. And failed.”

But something just doesn’t feel right…

I have to stop now to confess something. I’m torn in between telling you what I really thought about the film and not telling you about it at all. You see, me and Timo have a theory which we can’t prove yet, but we are convinced that we are right. No doubt in my mind in fact. And even though I would love to spill my guts with you, I feel like it would spoil the experience. So I’m just gonna say this. Banksy is a genious! Go see the movie and maybe you will figure it out yourself! And also if our theory is correct, Exit Through the Gift Shop is Banksy’s best work to date.

Check out Banksy’s website here and the official site for the movie here.

And since it was Valentine’s day yesterday, check out my list of Top Valentine’s Day movies I did a year ago from this link.

Love,

Mrs. Zombie

60th Berlin Film Festival Diary # 2: Iron Sky fan meet at c-base

Monday, February 15th, 2010

This year the Berlinale experience has been a little different for us. Timo has been working mainly on Iron Sky pre-production and I’ve been busy working on The Night is Still Young (working title), that is a movie produced by Bronson Club where I work. So I haven’t really had time to be at the film market as much as I would have liked to, but don’t worry I will be going there soon to do a scan of the zombie movies at the market this year. But in the mean time here’s what the Zombies did on saturday night.

On saturday the Iron team had set up a fan meeting in Berlin in a very cool venue called c-base, which is described as a raumstation unter Berlin. The venue was not only absolutely perfectly fitted for this fan gathering, but it was also an experience for the rest of us. What a place indeed.

What is c-base you might ask. Well here’s video that might answer to that question… or maybe not.

Timo was there to give a presentation on Iron Sky and show some exclusive material on the movie, and of course people were able to ask questions from him. I took some photos of the event, which you see below. You can also go to Flickr to see the whole set by pressing this link.

Our good friend from Norway, Mr. Eric Vogel (in the picture above) joined us there with director Thomas Cappelen Malling. In case you don’t know, they are the guys behind the Norwegian ninja movie Kommandør Treholt & ninjatroppen, of which we are very exited about here at Zombie Room. The movie is in post-production and will premiere later this year. Be sure to stay tuned for an exclusive interview with the Norwegian ninjas which we will be posting as soon as we get our shit together and survive Berlin first.

That’s it for now. Next blog post will be about the world’s most notorious street artist Banksy and his debut film Exit Through the Gift Shop which the Zombies got to see last night.

60th Berlin Film Festival Diary # 1: Meeting the Legends; Renny Harlin and Ville Valo

Sunday, February 14th, 2010

It’s been just over one year when we started our Zombie Room blog with Timo. One of our first missions was to make a diary of our visit in the Berlin film festival 2009. Later on it has became a ZR tradition to do a diary from all the festivals we go to. And now we are back in Berlin a bit older and (hopefully) a bit wiser to give you look at the festival from a film makers (and definitely from a movie nerds) perspective.

We arrived on thursday and here’s a recap on what has been going on since then. First night we immediately went to our favorite sushi restaurant here in Berlin called Pan Asia. Once again the food was amazing, but the high point of the evening was the fact that we got to meet director Renny Harlin. I can’t even begin to tell you how much Harlin has influenced and inspired my own movie career when I was just a kid dreaming about the movie biz. So I was exited to meet him to say the least.

Harlin has had some bad luck with his epic tale of Mannerheim, which is unfortunately still on hold. For the time being he is working on a movie called Georgia, starring Val Kilmer and Andy Garcia. It’s a drama centered around the war between Russia and Georgia, and focused on an American journalist, his cameraman, and a Georgian native who become caught in the crossfire. The movie should come out later this year. There is no trailer yet, but here’s the poster below. We will be following both productions closely so stay tuned for more.

On friday I got my accreditation for the festival and spend the day in the European Film Market or EFM situated in Martin-Gropius-Bau. It’s not my favorite place in the world but it was nice to see some familiar faces at the market. I will give you a more extensive report of the market this year, but that’s coming a bit later.

In the evening we suddenly decided to go to see HIM who was playing in Berlin. After the gig we were invited back stage to meet the band, which was pretty cool. Here’s a couple of pictures from the gig and from backstage. That’s me by the way in the last photo with Mr. Valo.

After the gig we continued on to the Finnish house party organized by the Finnish Film Foundation and other Finnish film organizations. The party was held in a private apartment somewhere in Berlin and it was completely packed with people as usual. Unfortunately I don’t have any pics from there, but trust me when I say it was pretty full. But a nice party anyway and I want to say thanks to the organizers.

Before I wrap things up for now, the Zombies would like to congratulate the grand old Berlin Film Festival on behalf of it’s 60th anniversary. The Zombies will rase a glass tonight for the next 60!

Also check out last year’s Berlin diary:
And so the story begins…
Berlin Diary #2 – Getting drunk, getting laid
Berlin Diary # 3 – Ninjas, sushi and one huge monster
Berlin Diary # 4 – Payback is a bitch of a whore
Berlin Diary # 5 – Best from the north
Berlin Diary # 6 – There are nazis on the moon
Berlin Diary #7: Wrapping up Berlinale

Catch you later.

Night Visions Diary # 5: Over and Out

Monday, November 2nd, 2009

Halloween is now over and so is Night Visions Maximum Halloween 3009. Hands down this was the best and most successful Night Visions in the history of the festival. This once again proves that people want to see all kinds of movies and they are willing to make the effort to go see them, even in the middle of the night.

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The Zombies had a great time at the festival and here’s a little recap of what went on. The opening night was probably the most memorable for us, because we organized a Dead Snow Zombie Walk, with the help of Zombiewalk Helsinki, to take place before the screening of our favorite Nazi-zombie movie ever, Dead Snow. Although not too many zombies showed up, the ones that did were an awesome group of people. The screenwriter and actor, Stig Frode Henriksen, presented Dead Snow and also judged the zombie costume competition which Timo won! The opening night continued with the 25th anniversary of the amazing Finnish classic Yön Saalistajat. Matti “Reuna” Mäntylä was also present at the screening.

Read the full article about the screening of Dead Snow and Yön Saalistajat here.

On friday I went to see The Crispin Glover Experience! This was definitely the high point of the festival for me. Too bad if you missed it, because these kind of rare opportunities don’t come too often. But I do advice everyone to go see Glover’s show, if he ever comes to your town. I guarantee it will be a night to remember. We were also lucky to have lunch with mr. Glover the day before.

Read about our lunch with Crispin Glover here and the full article about The Cripsin Glover Experience here.

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Night Visions had an amazing selection of films this year. The ones I was really looking forward of seeing were Richard Kelly’s new movie The Box and John Hillcoat’s depressing post-apocalyptic film The Road. I really enjoyed both of the films and I highly recommend them to everyone. Luckily both films can be seen in Finnish theaters later this year.

Read my review of The Box here.

We had a blast at the festival and we will be eagerly anticipating next Night Visions and a another set of great movies.

We would once more like to thank Liisa Lehmusto, Mikko Aromaa and Kalle Kinnunen, and all the crew behind Night Visions. We are looking forward to continue our collaboration with upcoming festivals. Also a special thanks to our zombie expert Janne Tourunen for helping us with the Zombie Walk.

Until next time, Zombie’s are over and out.

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