Night Visions Film Festival is less than a week away and we have good news for all you Yön Saalistajat fans. On the opening night Wednesday 28th of October actor Matti Mäntylä will be coming to the 25th anniversary screening of Yön Saalistajat. Other confirmed guests at the festival are Crispin Glover And Stig Frode Henriksen. Matti Mäntylä will visit Helsinki 28.-29.10.2009.
In Yön Saalistajat Mäntylä plays a ganster called “Reuna”, who is one of the most legendary tough guy characters in Finnish cinema history. Matti Mäntylä (born 1945) is a professional actor, and he has performed in several Finnish theaters (e.g. in Pori, Jyväskylä, Kotka, Helsinki, Finland), films and TV series. Mäntylä graduated as an actor from the University of Tampere. Mäntylä has also appeared in Visa Mäkinen’s films such as Agentti 000 ja kuoleman kurvit (1983) and Pirtua, pirtua (1992). More recently, he has appeared in many Timo Koivusalo’s movies such as Kaksipäisen kotkan varjossa (2005) and Sibelius (2003), and he has also appeared twice in the role of Toivo Kärki in Kulkuri ja joutsen (1999) and in Rentun ruusu (2001).
In Yön Saalistajat a small gang of criminals is planning to commit a gold heist not knowing that the new member of their gang is actually a police detective. But when his true identity is revealed to the gang they act like they wouldn’t know about it and decide to use the detective to accomplish their plans about the heist.
Here is the trailer for It Is Fine. Everything Is Fine! I think it is an understatement to say that the trailer speaks for itself. Wow!
It Is Fine. Everything Is Fine! is based on Glover’s friend, a CP-handicapped Steven C. Stewart’s manuscript. It’s about Stewart’s alter ego, permanently wheelchair-bound Paul, who craves women with long hair. It is “partly autobiographical, psycho-sexual, imaginative report on Stewart’s outlook on life”. The screening in Night Visions is a unique opportunity to see the film, because Glover doesn’t sell his work for commercial distribution, and doesn’t make DVDs. Glover even transports the print personally to each screening himself.
Here are some of my favorite Crispin Glover moments. What are yours?
“My career has been a mixture of having to make money and doing things I feel OK about. If I could just get a lobotomy, I’d be a lot better off.” – Crispin Hellion Glover
For more info visit the official site www.nightvisions.info
Visit Crispin Glover´s official site here.
Norwegian zombie film Dead Snow screenwriter and actor, Stig Frode Henriksen, will visit Night Visions Film Festival next week. Night Visions Maximum Halloween 3009 is held in Helsinki 28.10.-1.11.2009. Dead Snow will be screened twice on the festival and Henriksen will be visiting both screenings.
First screening is on the opening night of the festival and I can promise you it will be quite something. Not only are we organizing a Zombie Walk to take place at the theatre, but there is also a Best Zombie Costume competition, which Henriksen will be judging. And let me tell you, that guy knows his zombies! There’s gonna be some awesome movie stuff for the winners, too.
To buy the tickets to either of the screenings just press links below:
Hey to all you night owls and movie geeks! We are starting a countdown to Night Visions Film Festival here in Zombie Room. Night Visions focuses on horror, fantasy, science fiction and cult movies and is the biggest genre film festival in Finland.Night Visions Maximum Halloween 3009is held here in Helsinki 28.10.-1.11.2009 and this year the festival has expanded to five days, which means more awesome movies and of course less sleep. I can personally guarantee a great line-up of genre films and a couple of incredible international filmmaker guests joining the festival.
Established in 1997, the festival has been organized in Helsinki usually twice a year, the first Night Visions event of the year taking place in the spring around February/March and the second one around Halloween in late October. The festival’s main venue is the historically and architecturally significant cinema Maxim in the very heart of Helsinki. Active non-stop since 1909, Maxim is the oldest cinema still operating in Finland.
And with that note let’s start with the most important thing, the movies. I went trough the whole selection and here’s a few tip’s on what to see at the festival. You can buy tickets by pressing the screening time link.
JENNIFER’S BODY
Jennifer’s Body is a dark comedy and horror film written by Diablo Cody. She is the writer behind Juno and United States of Tara, which is a TV series I’m super hooked on right now. Jennifer’s Body tells a story of Needy (Amanda Seyfried) and her best friend Jennifer (Megan Fox), the smoking hot cheerleader who turns into a blood thirsty killer. I’m expecting lots of blood and guts, spiced up with some snazzy dialogue à la Cody.
DEAD SNOW
For me Dead Snow is definitely the most exiting movie of the whole festival and it’s about time we got this film to Finland. I was lucky enough to see the movie already, but that won’t stop me from going to see it again. In Dead Snow a ski vacation turns horrific for a group of medical students, as they find themselves confronted by an unimaginable menace: Nazi zombies!!!
We also have a few treats in store for all you Dead Snow fans, but more of that later
Read Timo’s blog entry about the Nazi Massacre Championships 2009 here
THE BOX
I have been waiting for this movie like crazy. It’s Richard Kelly’s chance to redeem himself from the last movie mess he made (Southland Tales) and get back on track that he started with his first feature film, the amazing Donnie Darko.
A small wooden box arrives on the doorstep of a married couple, who open it and become instantly wealthy. Little do they realize that opening the box also kills someone they do not know…
YÖN SAALISTAJAT
And last but not least, we have the amazing Finnish exploitation movie (or Finnsploitation) from the 80′s Yön Saalistajat, directed by Visa Mäkinen. The movie is celebrating it’s 25th anniversary and Night Visions is organizing a gala screening for it. Do I really need to say more..?
Just look at this awesome trailer! It is in Finnish, but I think you get the picture…
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Keep in mind that most (if not all) of these movies screened at Night Visions might never get distributed theatrically here in Finland, so this just might be your only chance to see them! So I advice you to buy your tickets now, before they are all sold out! Also all films in Night Visions Maximum Halloween lineup are eligible for the festival’s Audience Award. You can cast your vote after each screening. I think it goes without saying that my vote will go to Dead Snow, because there just can’t be anything more awesome than that!!!
During the festival The Zombies will be posting a daily festival diary, photos and we even have a couple of cool surprises in store, so stay tuned!
For the complete list of movies, events, schedules and ticket information visit the official site www.nightvisions.info
This year there has been some pretty amazing performances by great actors this year and I would like to talk about them a little bit. Some of these people are more known than others, some allready familiar to the Oscar game, some are making a comeback and some we have lost…
The movie that got the most nominations in acting categories was Doubt, written and directed by John Patrick Shanley. The movie is based on his play by the same name, so it is obvious that there were going to be long scenes in static sets with only two (or maybe three) actors. This is usually a great format for an actor to shine. Well did they shine? Meryl Streep plays a nun who doubts that a priest played by Philip Seymour Hoffman has abused a black child in their school. The nun is convinced of this all though there are no real proof of it. But she just keeps on going and doesn´t stop at anything. Streep plays this charecter with such convictions that is is almost unbelievable, and she is the perfect casting for the role. In fact the whole movie is cast very well, Philip Seymour Hoffman is also (once again) brilliant in playing a little bit radical priest that everyone likes, but maybe has a secret. But the real supriser is Amy Adams who plays a young and innocent (and a bit naive) nun, who goes along with Meryl Streeps acusations against her own better judgement.Amy Adams looks almost doped up in the film, like she is high on God, but then later gives in on doubt and gossip. Viola Davis is also very good, but is the performance Oscar worthy? I don´t think so. That being said her character does give the story depth and shakes the core of the plot totally, even if she only gets like 20 minutes os so of screen time in total.
Then we have The Wrestler with two niminations. It is said to be Mickey Rourkes big come-back (and indeed it is), but I just want to remind everyone that he was also totally amazing in Spun and Sin City. But the fact remains that Rourke gives the performance of his lifetime playing a wrestler called Randy ‘The Ram’ Robinson, who is way past his glory days and is trying to resurrect his career, because that is all he has left. I don´t think there is any question who should get the Oscar for best leading role this year. Marisa Tomei was also honored with a Oscar nomination and she plays a stripper in the film, who is Rams only connection to the real life. She brings her own unique tenderness to the charceter and she is perfectly cast for the role.
That being said I thought Sean penn was also absolutely brilliant (and beyond perfect) in Milk and he definitey deserves an Oscar nomination and maybe if he was nominated for this some other year, he would have had a strong chance of winning. The same could be said about Frank Langella in Frost/Nixon, and even about Brad Pitt. Also a great performance in Milk was by Josh Brolin. Probably the best of his career. And if Heath Ledger wouldn´t be up for an Oscar I would give it to him in a second. Josh Brolin was definitely one my favorites this year, but also top marks for Robert Downey Jr. who went all out in Tropic Thunder portraying an Australian actor portraying a black man. That can´t be easy. It is also a nice gesture from The Academy to give deserved attention also to comedy and genre films. Also I wouldn´t want to be in the category of best performance by an actor in a supporting role this year, because everyone knows that Heath Ledger will win the Oscar, so no body else has a change. And even if you would win, everybody would hate you for it.
Also The Curious Case of Benjamin Button got two nominations. Brad Pitt for a performance by an actor in a leading role and Taraji P. Henson supporting. I think it was obvious that Brad Pitt got nominated, because the role has Oscar written all over it. And because I thouhgt he did a great job portraying Benjamin Button, a man who ages the wrong way. He gave the charecter loveble characteristic, but the movie still rased more questions than it could answer. But never the less, I think Pitt was perfect for the role. Taraji P. Henson plays a women who takes Benjamin in a raises him like he was her own son. I thought she was very good in the role, but I don´t know what´s all the fuzz about. Personaly, I think that Penélope Cruz in Vicky Cristina Barcelona, totally kick her ass. Cruz played Maria Elena, a neurotic and passionateartist and when she is was on screen, she filled it up complitely.
The problem with this years Oscars is that we all reday have such strong pre-favorites, that it is almost like the results were already announced. Like for instance with Kate Winslet, who is most likely to win this year. Unfortunately I haven´t seen The Reader so I don´t really have an opinion on her performance, but I´m eager to see it. In any case my bet is with Kate. Angelina Jolie was very good in Chageling, all though she over shadowed all of the other cast members (exluding John Malkovich). Anne Hathaway was nominated for Rachel Getting Married and yes it was the best performance of her career, but not enough to compeet with the likes of Meryl Streep or Angelina Jolie.
So this year the competition is pretty tight and we will just have to wait and see what happens… Tomorrow is the big day or night in my case. If you live in Finland the Osacrs are on live at 1.00 am on Sunday night (or should I say Monday morning), but here is a tip. You might want to get up 3.00 am, because the first two hours are about the red carpet (sonds good, but isn´t) and at 3.00 am the gala starts. That is what I do every year.
Tomorrow I will reveille mine and Timos picks for the winners, so stay tuned. And also we will be twitting away all night!!!
Changeling is based on real events (as much as American “based on” -films usually are…), and starts out with a very interesting setup: a young kid is gone missing, and her mother (played by Angelina Jolie) starts looking for him. When the kid is finally found, the woman doesn’t believe the kid is her’s, but the police refuses to believe her claims because they know they’ve fucked up, stating she just wants to run away from her responsibilities. A great premise, and a nice, haunting subject to work on. Then, as the story moves on, a huge police corruption story starts to unfold, along with a serial killer thriller and a court drama – suddenly, we find ourselves following 4-5 different plots, and the main character is pushed out of the picture and this once so brave and strong woman is now merely standing in the corner, sulking under her bell hat and watching as men take care of their businesses.
The turbofed script has some great moments, but mostly there’s just too many stories ongoing at the same time. It’s not very surprising, given the fact that the story is written by a TV screenwriter J. Michael Straczynski, known previously for his work on such TV serieses as Babylon 5 and Jeremiah. But what really surprises me is the unbalanced quality of actors – Angelina Jolie received the nomination for Oscars, and by all means, she does a great job, but most of the other roles (excluding, obviously, John Malkovich) are played by actors who don’t seem to have any clue on acting or on the story.
Changeling is like a spandex metal song from the 80′s – it just doesn’t end. Every time you think that Clint is wrapping up, a new segment begins. All together, coming from Clint Eastwood, Changeling is suprisingly unbalanced and almost amateuristic movie. Mr. Eastwood seems to be a busy man nowadays, and it almost feels like he didn’t have the time to focus on the film other than with the beginning and pretty strong ending – everything in between is a big, unbalanced mess unable to decide what kind of a film it wants to be.
Now it is time to talk about The Dark Knight. There has been a lot of talk around (obviously) Heath Ledger, but also about the fact that should the movie have been nominated for Best Picture. There are loads of angry Dark Knight fans who are furious at the Academy for discarding the movie like this.
The funny thing is that The Dark Knight actually got 8 Oscar nominations all together, which makes it the third most nominated film this year (also Milk got 8 nominations). It is almost a shame that the other awards aren´t as highly respected as the best picture or directing is. The Dark Knight was nominated for art direction, cinematography, film editing, makeup, sound editing, sound mixing, visual effects and of course performance by an actor in a supporting role for Heath Ledger. In my opinion it is worthy of an Oscar in all those categories and it will probably even win a couple of them.
Well, did The Dark Knight deserve a Best picture nomination or not? Some say definitely yes (like me) and others are totally agents it (like Timo). There are a lot of reasons supporting why it was one of the best movies of the year, but also just as many reasons why it wasn´t. First of all Heath Ledger gave not only the performance of his (too short) life as Joker, but also the best performance of the year. This is a a very strong reason for nominating a film at least for directing, because a lot of the credit belongs to director Christopher Nolan. The cast was pretty ok all together, but they were all totally over shadowed by Ledger, and this can be debated wether or not this was a good thing for the movie as a whole. The cinematography was perfect (for this particular film) in my opinion, as well as all the other departments nominated for Academy award. But there were some negatives as well, mainly focusing on the Batman´s character. I have always been a huge Christian Bale fan, but let´s face it, in this movie he was nothing but an extra.
In any case this movie is in my top-5 of 2008, so by saying that I think it should have been nominated for Best picture and also directing. But The Wrestler is also in my top-5 and we don´t see that nominated either. It is also good to remember that there have been some pretty average (border-line crappy) and totally overrated movies nominated for Best picture in the past, so I don´t see why The Dark Knight couldn´t have been excepted in these categories (not saying that it was crap though). Well at least The Directors Guild of America nominated The Dark Knight for Outstanding Directorial Achievement in Motion Pictures, but it didn´t win. But winning isn´t everything. Right?
But look at it this way, perhaps this a beginning of an era where we will be seeing a lot more genre films in the Oscars. Hope so. Know so.
I’m not a huge moviegoer myself, at least compared to Essi, although I’m really picking up and trying to go and see much more films in theaters nowadays. For this reason, I haven’t actually seen many of the Oscar films yet – another reason, of course, being the fact that they are not out here in Finland yet, before the Oscars, which I think is just stupid.
But there’s one category in Oscars from where I’ve seen all of the competing films – Best Animated Feature.
BOLTis a film I just saw last weekend with my kid, and I didn’t even remember that it was nominated for Oscar. Bolt is a Disney feature, and we know what that means – family values, courage and dogs. Based on these ingredients, Bolt starts out as a surprisingly annoying but action-packed rush of a girl with a super dog that can shoot laser from it’s eyes, create earthquakes with it’s bark and practically do anything a girl would want her dog to do. Soon it turns out that it’s a TV-series they are filming, and the dog – Bolt – is kept under the assumption that it’s actually real life – a bit like Time Out Of JointThe Truman Show. As the story starts to unfold and Bolt escapes from the studio and undestands that he’s just a normal dawg, the pace slows down to a sentimental walkthrough in a pastel-coloured Disney world, which made both me and my 4-year old kid yawn.
Here’s how I think KUNG FU PANDA evolved. Somebody fell in love – like I’ve done – to Rumiko Takahashi‘s Ranma½, and proposed that to the studio as a feature remake based on the TV-series and Manga cartoons. Studio bosses checked out the story, understood it’s way too complicated for General Audience, took the panda-character and the action out, dumped everything else and created a so-so story based on funny fluffy panda doing kung fu. The visuals of the story are outstanding, especially the physics of the kung fu -moves, but the story itself is quite plain.
Most filmmakers have been dreaming of making a film completely without dialogue. But even for the most accomplished directors, it’s a terribly hard job. Pixar’sAndrew Stanton tried this with WALL-E, a love story between two robots, and created a wonderful setup which he later in the film tears apart and adds funny fluffy human characters that didn’t ruin the film, but made it less unique. The first 30-40 minutes of WALL-E are one of the greatest moments in animated film history, the last half is much more general American animation that doesn’t quite stand out. But still, WALL-E is easily the best animated feature of 2008, and I think it will remain as a milestone for animations in the future: you can do an accessible film with quite challenging characters, tell a great and important story and still sell the film and heaps of merchandise to kids with it.
All in all, I think Pixar will continue it’s triumph on the Oscars, but for some reason I don’t think that the next film – Up – will provide a hat trick for the company.
A still from the UPcoming Pixar feature UP (2009).
Today I thought I would talk a little about the awards given before the Oscars. There is always a major buzz around The Academy Awards and there are allot of award shows in the beginning of the year. You know, the other big award galas that give highly respectable awards to basically the same movies as the Oscars, but nobody gives a damn about. Yeah those.
In many ways the Baftas were very similar to the Golden Globes. They both awarded the Best actor award to Mickey Rourke for The Wrestler, Best supporting actor award (of course) to Heath Ledger for The Dark Knight and Kate Winslet got the Best actress award for The Reader . Mickey Rourke definitely deserves his Oscar, but Sean Penn was also absolutely brilliant in Milk. I think the Oscar-battle is between those two film veterans (I still think Rourke will win). Heat Ledger has no competition this year, his interpretation of Joker will be remembered for a long time to come. And then we have Kate Winslet, who is on a roll; it seem that the only competition she has had this year is from herself. She won both best actress and supporting actress at the Globes. So the Oscar is more or less in the bag for her all ready. No objections from me.
There is only one more award show to go before the Oscars, The Independent Spirit Awards is on at February 21st. The good thing about the Spirit Awards is that, Slumdog Millionaire won´t be taking all the awards, because it is not even nominated… But The Wrestler is, so I wish lots of luck to Darren Aronofsky. The Wrestler is in my top-3 films of last year and I think it is absolutely perfect and beautiful.