Archive for December, 2009

Mrs. Zombie’s Top 20 Best Movies of 2009

Thursday, December 31st, 2009

Hey all. Since Mr. Zombie did a list of his top movies in 2009, I decided to make one as well. You can read his article here. I just couldn’t stop at 10 movies, because I didn’t have the heart not to mention all of these great films. So here are my top 20 best movies of 2009. Surprisingly it has been an interesting movie year especially for animation, comedy and science fiction.

SPECIAL MENTION: I KILLED MY MOTHER (J’ai tué ma mère)

I felt compelled to include this film to my list. Firstly because it’s a damn fine movie about a young homosexual boy and his relationship to his mother. Secondly for it’s amazingly well written script, and finally because of who made it. Xavier Dolan is a 20 year old Canadian kid who wrote, directed, produced and played the main character, all of which he did impeccably. If this is what he can do with his debut film at the age of 20, what can he do in 10 years time..?

20. STAR TREK

J.J. Abrams’s reboot or prequel to the famous series is definitely the most entertaining movie of the year. Chris Pine as Kirk and Zachary Quinto as Spock are absolutely perfectly casted, and the chemistry between the two characters is what keeps the movie going. I also really liked the way the movie looked, even (or especially) the audience blinding lens flares and white mac/apple like bridge. We can probably expect at least two sequels to the movie which I of course embrace with open arms.

19. THIRST (Bakjwi)

Thirst is a vampire movie with a twist. Director Chan-wook Park’s interpretation of the vampire genre was refreshingly different. In the movie a failed medical experiment turns a man of faith into a vampire. I loved the fact that being a vampire wasn’t glorified at all, but the condition was a decease more than anything. I also love Park’s dark sense of humor. So weather you’re a fan of the genre or not, this is a must see vampire movie of the year.

18. NORTH (Nord)

North is a heart warming and hilarious road-movie from Norway. It made me laugh like crazy. Following a nervous breakdown, ski athlete Jomar has isolated himself in a lonely existence as the guard of a ski park. When he learns that he might be the father of a child way up north, he sets on a strange and poetic journey through Norway on a snowmobile, with 5 liters of alcohol as sole provisions. Feel good movie of the year!

17. IN THE LOOP

In the Loop is directed by Armando Iannucci and it is a spinoff from the BBC TV series The Thick of It. In the film, the President of the United States and the Prime Minister of the United Kingdom are looking to launch a war in the Middle East. The plot follows government officials and advisers in their behind-the-scenes efforts either to promote the war or prevent it. It stars Peter CapaldiTom Hollander and James Gandolfini. Amazingly funny political satire.

16. THE MESSENGER

The Messenger is the directorial debut of Oren Moverman and that shows a little bit, but he is either an amazing actor director or he just casted the perfect people for the perfect roles. Either or, the films true magic lies in the performances by Woody Harrelson and Ben Foster. Foster plays Will Montgomery, a U.S. Army Staff Sergeant who has returned home from Iraq, and is assigned to the Army’s Casualty Notification service. Montgomery is partnered with Captain Tony Stone (Woody Harrelson), to give notice to the families of fallen soldiers.

15. THE HANGOVER

The Hangover is almost a perfect comedy. It goes a little over the top, but other than that it is a super funny and crazy comedy with a surprisingly good script. Starring Bradley Cooper, Zach Galifianakis and my favorite actor from The OfficeEd Helms. The plot follows four friends who travel to Las Vegas for a bachelor party, only to wake up the next morning not remembering a thing and missing the groom, whose wedding is scheduled to occur the next day. The best part is that the film was inspired by the filmmakers’ real life misadventures. LOL.

14. METROPIA

Metropia is a beautiful and very weird looking animation from Sweden and it is directed by Tarik Saleh. The very impressing voice cast includes Vincent Gallo, Juliette Lewis, Stellan Skarsgård, Alexander Skarsgård and Udo Kier. Metropia takes place in a not-so-distant future. The world is running out of oil and the undergrounds have been connected into a gigantic subway network beneath Europe. Whenever Roger (Vincent Gallo) from Stockholm enters this system he hears a stranger’s voice in his head. He looks to the mysterious Nina (Juliette Lewis) to help him escape the disturbing web of the Metro, but the farther they travel, the deeper he’s involved in a dark conspiracy.

Read my full review here.

13. (500) DAYS OF SUMMER

(500) Days of Summer is one of the most original and best written scripts of the year, and a desperately needed boost to the romantic comedy genre. In the beginning of the movie it is clearly stated that this is not love story. And that’s exactly what you get. An offbeat romantic comedy about a woman who doesn’t believe true love exists, and the young man who falls for her. Starring Joseph Gordon-Levitt and Zooey Deschanel.

12. PONYO (Gake no ue no Ponyo)

There’s just no one like Hayao Miyazaki when it comes to animation. In Ponyo the plot centers on a goldfish named Ponyo who befriends a five-year-old human boy, Sōsuke, and wants to become a human girl. So it is almost like a reconstruction of the classic tale of Little Mermaid. Fantastically told story and the beautiful animation are true Miyazaki trade marks. Ponyo is an absolute must for all Miyazaki fans.

11. DEAD SNOW (Død snø)

Dead Snow is a Norwegian nazi zombie movie that is one of the funniest and entertaining movies of the year and most definitely the best zombie film of the year. I can’t remember when was the last time I laughed so hard during a movie. Director Tommy Wirkola has found the perfect balance mixing pure comedy, horror and slasher genres. In the story a ski vacation turns horrific for a group of medical students, as they find themselves confronted by an unimaginable menace: Nazi zombies.

Here’s Timo’s review of Dead Snow.

10. THE ROAD

The Road is a hopeless and sad post-apocalyptic tale of a man (Viggo Mortensen) and his son (Kodi Smit-McPhee) trying to survive by any means possible in a world where most of the population has died and the world is dying along with them. The rusty and beautiful production design appealed to especially. Directed by John Hillcoat and based on a novel by Cormac McCarthy, whose masterpiece No Country for Old Men was adapted to the silver screen by the Coen brothers in 2007.

9. THE HURT LOCKER

The Hurt Locker wasn’t a very big success financially, but has received praise and numerous awards from all over the world and it is also a very strong candidate for this years Oscar race. The movie is set during the Iraq war and focuses on an elite Army bomb squad. The theme of the movie is clearly stated in the quote from War Is a Force That Gives Us Meaning that opens the film: “The rush of battle is a potent and often lethal addiction, for war is a drug”. The best part for me was the performance of Jeremy Renner who was absolutely amazing in portraying a war-addicted SSgt. William James. No doubt The Hurt Locker is director Kathryn Bigelow’s best work to date.

8. THE WHITE RIBBON (Das weisse Band – Eine deutsche Kindergeschichte)

The most powerful and visual work Michael Haneke has ever done and definitely one of his best, although not my personal favorite from his body of work. It premiered at the Cannes Film Festival in May 2009 where it won the Palme d’Or. The story is set in a village in northern Germany just before World War I and according to Haneke himself, the film is about the origin of every type of terrorism, be it of political or religious nature.

7. MOON

Moon is set in future where the worlds energy crisis has been solved by using resources found from the moon. It is a story about a solitary lunar employee who experiences a personal crisis as his three-year contract nears it’s end. It is an amazing directorial debut from Duncan Jones, and one of the best scifi movies of the year. Sam Rockwell is made for the role of Sam Bell and Kevin Spacey as the voice of GERTY was the icing on the near perfect cake.

6. UP

Up is probably the best movie Pixar has ever done and I wouldn’t be surprised if it gets a lot of attention at the Academy awards this year. Maybe even the first animation to win Best Picture… The first 20 minutes of the film are amazingly moving and the whole feel and over all look of the movie is just spectacular. Especially in 3D. They did go a bit over the top into to just being entertaining and silly with the talking dogs etc, but that aside, Up is a great piece of animation art with a great story to go with it.

5. MARY AND MAX

After I saw Up I thought that nothing could be better than that, and then along came Mary and Max. An Australian animation (stopmotion claymation) from Melodrama Pictures. It’s a story of a friendship between two unlikely pen pals: Mary (Toni Collette), a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max (Philip Seymour Hoffman), a forty-four-year old, severely obese man living in New York. The movie looks absolutely amazing, has a touching and sad story, but it is good to keep in mind that it is not for kids.

4. INGLOURIOUS BASTERDS

The enjoyment I got from watching Tarantino’s Inglourious Basterds is just unbelievable. Most definitely one of Quantin Tarantino’s best work to date. The opening scene of the movie is probably the best of the year, only competing with the Tavern scene that came a bit later. As a viewer I felt my intelligence was respected especially with the use of language in the film. Also Christoph Waltz brought the house down with his performance of Col. Hans Landa. Tarantino’s movie is entertaining, smart, bold and unapologetic. Just the way I like it!

Here’s my full review.

3. AVATAR

Avatar is director James Cameron’s first film in 12 years after Titanic and it was well worth the wait. For me Avatar was the movie experience of the year. I felt like a little kid again watching Jurassic Park or Indiana Jones for the first time. The revolutionary 3D technology used in the movie was just extraordinary and it set a pretty big bench mark for all film makers. I also liked the story a lot, it was a good old fashion epic adventure movie that will will be talked about for years to come. I for one feel privileged to have witnessed the birth of a phenomenon!

Here’s my full review.

2. A SERIOUS MAN

After I saw A Serious Man, I said that I’m officially elevating the Coen Brothers to God status. The movie is so well written, it just blew my mind! Best script of the year hands down. A Serious Man is also a movie you could only do after winning an Oscar. Meaning that the fairly unknown cast, religious subject matter and dark under tones of the story might not go too well with studio executives (or distributors for that matter) other wise. And even now it was made only with 7 million dollars. But who needs tons of money with this kind of visionaries behind the camera.

1. LOOKING FOR ERIC

I have to say it wasn’t easy to decide between A Serious Man and Ken Loach’s Looking for Eric, but after a long consideration I chose the latter because of the pure originality and warmth that the movie offers. In the film, Eric a football fanatic postman whose life is descending in to crisis receives some life coaching from the famously philosophical Eric Cantona. The movie is moving, funny and serious all at the same time. Eric Cantona is so awesome in this movie I can’t even tell you. Also great performances from the whole cast. An absolutely perfect film and the must see movie of the year!

—————-

ALSO GOOD THIS YEAR:

Adventureland
The Box
Coraline
District 9
The Informant!
Mammoth

—————-

And in case you are wondering why some films are missing from my list, keep in mind that I haven’t yet seen these (all of which I’m desperately eager to see):

Bad Lieutenant: Port of Call New Orleans
An Education
Fantastic Mr. Fox
The Imaginarium of Doctor Parnassus
The Lovely Bones
Precious: Based on the Novel Push by Sapphire
A Single Man
Up in the Air
Where the Wild Things Are

That’s it. What were your favorite films of 2009? Drop a comment below.

The Zombies want to wish you a happy New Year 2010!

Mr. Zombie’s Top 10 films of 2009

Thursday, December 24th, 2009

SPECIAL MENTION: STAR TREK & DISTRICT 9

Star Trek and District 9 were surprisingly similar films in many ways. At first, they felt like a bite out of a fresh apple, but slowly they started to taste mealier, ditching head first into a pool of cliches and unanswered expectations. Visually, both were outstanding – at first. District 9 ran out of money somewhere around the midpoint, and JJ Abram’s visions of running around on powerplants and blinding the audience with lens flares became too apparent by the end.

And finally, both had quite amazing marketing campaings: Star Trek was sold to me as a teen gay drama in space, and District 9 as a harsh commentary on prejudicament and western immigration politics. Unfortunately, neither of the films eventually responded to things that made me interested. But they were both definitively remarkable films, and deserve to be mentioned.

10. METROPIA

Whine, whine, boo-hoo it was boring, the story was crappy, the world was shitty and nothing happened in it. Wrong. It was a great film, the atmosphere was amazing, the story was maybe the strangest and wildest of the whole year and the cast was excellent. Metropia was not flawless, but a brave, ambitious and exactly what the world of animation needs – completely different from Pixar/Dreamworks dominating the market nowadays. I think we’ll see loads of groundbreaking films from the director Tarik Saleh in the future. So quit whining and respect the film!

Here’s Essi‘s review of Metropia.

9. UP!

Pixar never fails. I love everything they’ve done so far, even Cars, and Up! didn’t let me down. The first 20 minutes of the film is easilly the best and most moving 20 minutes in 2009 – hell, maybe in 2000′s. Unfortunately, as the film takes the absurd Pixarian twist, surprisingly enough the story doesn’t live up to the expectations (which is strange, since usually it’s exactly the absurdity that makes their films so excellent). Nevertheless, Up! is a lovely story and Edward Asner delivers one of the best lead performances of the year as the old man Carl Fredricksen. And as a viewer, I feel like somebody respects my time, unlike with most of Dreamwork’s pieces of shit they keep on spitting on the big screen every year.

(BTW. Ever wondered what’s the main difference between Pixar and Dreamworks? Well, here’s quite a good explanation.)

8. CORALINE

Stop-motion 3D animation is here to stay, and Coraline is a living proof that you don’t need a CGI-rendered animation when you have a visionary director working on a story that’s based on a book by one of the greatest modern storytellers. Those being, of course, Neil Gaiman and Henry Selick, in reverse order. Coraline is fun, atmospheric, brave, experimental, beautiful and dark and creepy enough! It’s a humble courtesy for the animaton lovers.

7. AVATAR

The film looks like one of those creepy airbrush-painted dolphin posters that were quite popular in among the most tasteless of us back in early 90′s. The story may not be the most original one – hell, you know exactly what’s going to happen from the very first minutes, and if not, make sure to watch a trailer, it’ll spoil the rest for you. But still, it’s a honest work of love from the grown-up nerd James Cameron, and if you’re able to leave behind the cynicism that’s probably fueling your lost fight against mediocrity, the film is quite damn enjoyable. Most importantly, it’s a film that will last quite long, and spawn heaps of sequels, TV-serieses, cool merchandising – and create a massive fanbase around it. You should enjoy it while you still can – it’s either theaters now, or never on your home telly. The 3D environment is such a big element of the whole film that watching it in 2D is almost like watching bad quality internet porn instead of… Well, the real thing.

Here’s Essi’s review of Avatar.

6. PONYO

The overlord Hayao Miyazaki is back, and takes a dive into the story of the Little Mermaid, giving it a surreal and fantastic twist, and delivering another masterpiece into a long line of masterpieces from the Ghibli Studios. Ponyo felt completely different from any other animation this year – honest and loving in a way only Miyazaki can do. His style is unique, and we sure should hope he stays in good enough shape to make at least few more, because as much as there’s nobody to step in for mr. David Lynch once his time is up, also Miyazaki is unique in this way.

5. MARY AND MAX

“So, you want to make a monochromatic animation about mental illnesses, and you want an all-star cast to it? Yeah, good luck with the funding…” Mary and Max was one of the biggest and most positive surprises – no, out-of-the-blues – this year. It’s a really touching, intelligent and extremely well-written animation about a life-long friendship between a girl in Australia and a man in New York. The story follows the letter exchange between these two, and builds up two perfectly believeable lives with all of the stranger-than-fiction odds and quirks life brings to you.

4. INGLOURIOUS BASTERDS

To be honest, I was a bit bored with Quentin Tarantino before watching Inglourious Basterds. I mean ever since Jackie Brown, his films haven’t been that impressive, and I started to feel like he had “found his slot” in the industry and descended from this once so promising young director into another retro freak repeating the same joke film after film. But I was wrong. Inglourious Basterds proved that there’s quite a lot of gunpowder still running through his veins, and he’s brave enough to do a film that’s basically long dialogues following each other, seasoned with hefty dozes of sudden violence. And there’s never enough of alternate history movies out there.

Here’s Essi’s review of Inglourious Basterds.

We got so excited about the film that we even did our own version of the trailer – sort of :) Enjoy “Iroun Sky Basterds”!

3. MOON

Semi-hard science fiction with slow pacing, great music, awesome performance and close relations to my next film, Iron Sky, when it comes to Moon as an environment, and Helium-3 as a new target for pure humane greed. Moon is the directioral debute for Duncan Jones who, with this film, catapulted himself among the most interesting directors of the next century. It was recently announced that he will direct the feature film adaptation of Escape from the Deep: The Epic Story of a Legendary Submarine and Her Courageous Crew by Alex Kershaw. Jones also revealed that he will be doing “another science fiction film, called Mute, which takes place in a future Berlin. It’s a Blade Runner-inspired piece, a little love letter to that film.” And he will also direct Summit Entertainment project Source Code, a Science-Fiction thriller from Vendome Pictures, which will be produced by Mark Gordon. Actor Jake Gyllenhaal is in negotiations to play a major role in the film. So there you go, quite interesting films – and Duncan Jones is also a very active Twitterer.

2. A SERIOUS MAN

The Coen Brothers are able to “tilt my camera”, so to speak, so that suddenly everything around me feels a bit stranger and makes a little bit less sense, making life a little bit more exciting experience. A Serious Man was definitively one of those films – but it’s also a film you can do with two conditions: you need to be Jewish, and you need to have an Oscar to prove you know what you’re doing. Otherwise, you’d end up lynched.

1. DEAD SNOW

We’ve been raving about Dead Snow enough for one one year already, and to be honest, I’m not even sure if the film’s actual official release year is 2009 (that’s what IMDB claims, though, but I saw it in 2008 already) but who the hell cares? I just can’t get enough of the Norwegian Nazi Zombies, and Tommy Wirkola‘s excellent timing in both comedy and horror genres is stellar. He’s among the few directors I’m following very closely, and I’m very interested to see how his next film, Hansel and Gretel: Witch Hunters, turns out!

Here’s my review of Dead Snow.

Everyone – have a merry christmas, and remember not to go outside after dark – who knows what’s lurking there!

Zombie Room’s Oscar Predictions 2010

Monday, December 21st, 2009

Zombieie_Rooms_Oscar_Predictions

The year 2009 is almost over and you all know what that means. It’s almost time for the Oscars. And since I like to pretend I know a thing or two about movies and especially about the Oscars, I decided to list my own predictions of the Oscar nominees this year. Keep in mind that this list is not a list of my favorite films of the year, but a combination of how I think the Academy’s mind works combined with the nominees of the Golden Globe Awards, Critics Awards Grid, Screen Actors Guild, Independent Spirit Awards and Critics Choice Awards.

The Oscars will again take place at the Kodak Theatre in Hollywood March 7, 2010, with nominations announced on February 2. Then we will see if I got my predictions right. But until then, here’s Zombie Room’s Oscar predictions. Enjoy!

Oscars_Best_Picture

Avatar
The Hurt Locker
Inglourious Basterds
Precious: Based on the Novel Push by Sapphire
Up in the Air

Also strong contenders:

An Education
Invictus
Nine
The Road
A Serious Man
A Single Man
Where the Wild Things Are

Oscars_Actor_in_a_Leading_Role

Jeff Bridges for Crazy Heart
George Clooney for Up in the Air
Colin Firth for A Single Man
Morgan Freeman for Invictus
Jeremy Renner for The Hurt Locker

Also strong contenders:

Matt Damon for Informant!
Daniel Day-Lewis for Nine
Ben Foster for The Messenger
Tobey Maguire for Brothers
Viggo Mortensen for The Road
Michael Stuhlbarg for A Serious Man

Oscars_Actor_in_a_Supporting_Role

Matt Damon for Invictus
Woody Harrelson for The Messenger
Christopher Plummer for The Last Station
Stanley Tucci for The Lovely Bones
Christoph Waltz for Inglourious Basterds

Also strong contenders:

Anthony Mackie for The Hurt Locker
Christian McKay for Me and Orson Welles
Alfred Molina for An Education

Oscars_Actress_in_a_Leading_Role

Emily Blunt for The Young Victoria
Sandra Bullock for The Blind Side
Helen Mirren for The Last Station
Gabourey ‘Gabby’ Sidibe for Precious: Based on the Novel Push by Sapphire
Meryl Streep for Julie & Julia

Also strong contenders:

Carey Mulligan for An Education
Saoirse Ronan for The Lovely Bones

Oscars_Actress_in_a_Supporting_Role

Penélope Cruz for Nine
Vera Farmiga for Up in the Air
Anna Kendrick for Up in the Air
Mo’Nique for Precious: Based on the Novel Push by Sapphire
Julianne Moore for A Single Man

Also strong contenders:

Marion Cotillard for Nine
Judi Dench for Nine
Samantha Morton for The Messenger
Diane Kruger for Inglourious Basterds

Oscars_Directing

Kathryn Bigelow for The Hurt Locker
James Cameron for Avatar
Lee Daniels for Precious: Based on the Novel Push by Sapphire
Jason Reitman for Up in the Air
Quentin Tarantino for Inglourious Basterds

Also strong contenders:

Clint Eastwood for Invictus
John Hillcoat for The Road
Spike Jonze for Where the Wild Things Are
Rob Marshall for Nine

Oscars_Writing_Adapted Screenplay

An Education: Nick Hornby
Fantastic Mr. Fox: Wes Anderson, Noah Baumbach
Precious: Based on the Novel Push by Sapphire: Geoffrey Fletcher
A Single Man: Tom Ford, David Scearce
Up in the Air: Jason Reitman, Sheldon Turner

Also strong contenders:

District 9: Neill Blomkamp, Terri Tatchell
The Lovely Bones: Fran Walsh, Philippa Boyens, Peter Jackson
The Road: Joe Penhall

Oscars_Writing_Original_Screenplay

(500) Days of Summer: Scott Neustadter, Michael H. Weber
The Hurt Locker: Mark Boal
Inglourious Basterds: Quentin Tarantino
A Serious Man: Ethan Coen, Joel Coen
Up: Bob Peterson, Pete Docter

Oscars_Music_Song

Avatar: James Horner, Simon Franglen, Kuk Harrell(“I Will See You”)
Brothers: U2, Bono(“Winter”)
Crazy Heart: T-Bone Burnett, Ryan Bingham(“The Weary Kind”)
Everybody’s Fine: Paul McCartney(“(I Want To) Come Home”)
Nine: Maury Yeston(“Cinema Italiano”)

Also strong contenders:

The Princess and the Frog: Randy Newman(“Almost There”)
Precious: Based on the Novel “Push” by Sapphire
Where the Wild Things Are: Karen Orzolek, Nick Zinner(“All Is Love”)

Oscars_Music_Score

Avatar: James Horner
The Informant!: Marvin Hamlisch
A Single Man: Abel Korzeniowski
Up: Michael Giacchino
Where the Wild Things Are: Carter Burwell, Karen Orzolek

Also strong contenders:

The Princess and the Frog: Randy Newman
Sherlock Holmes: Hans Zimmer
Bright Star: Mark Bradshaw
Coco Before Chanel: Alexandre Desplat

Oscars_Animated_Feature_Film

Coraline
Fantastic Mr. Fox
Mary and Max
The Princess and the Frog
Up (deserves a Best Picture nomination)

Also strong contenders:

Cloudy with a Chance of Meatballs
Disney’s A Christmas Carol
Monsters vs. Aliens

Oscars_Foreign_Language_Film

Los abrazos rotos
Chi bi
Sin Nombre
Un prophète
Das weisse Band – Eine deutsche Kindergeschichte

Also strong contenders:

Baarìa
La nana
Ein Augenblick Freiheit
Mei Lanfang
Ajami

Oscars_Cinematography

Avatar
The Hurt Locker
Inglourious Basterds
Nine
The Lovely Bones

Also strong contenders:

Bright Star

Oscars_Art_Direction

Avatar
Inglourious Basterds
The Lovely Bones
Nine
A Single Man

Also strong contenders:

The Imaginarium of Doctor Parnassus
A Serious Man
Sherlock Holmes
The Road

Oscars_Editing

Avatar
The Hurt Locker
Inglourious Basterds
Nine
Up in the Air

Also strong contenders:

The Lovely Bones
Precious: Based on the Novel “Push” by Sapphire

Oscars_Costume_Design

Bright Star
Inglourious Basterds
Nine
The Young Victoria
Where the Wild Things Are

Also strong contenders:

Bright Star
The Imaginarium of Doctor Parnassus

Oscars_Visual_Effects

Avatar
District 9
Star Trek
Transformers: Revenge of the Fallen
2012

Also strong contenders:

The Lovely Bones

Oscars_Sound_Editing

Avatar
The Hurt Locker
Nine
Star Trek
Transformers: Revenge of the Fallen

Also strong contenders:

District 9
Terminator Salvation
Up

Oscars_Sound_Mixing

Avatar
The Hurt Locker
Nine
Star Trek
Transformers: Revenge of the Fallen

Also strong contenders:

District 9
Terminator Salvation
Up

Oscars_Documentary_Feature

Anvil! The Story of Anvil
Capitalism: A Love Story
The Cove
Food, Inc.
This Is It

Oscars_Makeup

Avatar
District 9
The Imaginarioum of Doctor Parnassus
Nine
Star Trek

————

I’m leaving these out categories out, because I have no idea what to choose…

Short Film (Animated)
Short Film (Live action)
Documentary Short

Do you think I have forgotten something? Or do you agree or disagree with me? I would love to here your thoughts.

Zombie Room Review: Avatar (2009)

Friday, December 18th, 2009

ZombieRoom_Review_Avatar

Before I start, I highly recommend you to stop reading this review right now and go see the movie instead. Also, for the love of God, see it in a 3D movie theatre! If this means you have to travel to another city to see it, make the trip. I promise it will be worth your while. But if you have already seen it, or just decide to read this anyway, here’s what I thought of the movie.

In the year 2154, Jake Sully (Sam Worthington) is a a former U.S. Marine who has injured his legs in the line of duty and is bound to a wheelchair. After his twin brother dies, Jake is selected to take his place in the Avatar program, which is lead by Dr. Grace Augustine (Sigourney Weaver). He’s job is to use a remotely controlled body, called Avatar to go into Pandora. Jake is thrown into a world he doesn’t quite understand but grows to love as his own. He finds love and his true place in the world from Pandora with the Na’vi tribe, and will do everything in his power to save it from the hands of greedy humans.

4054081733_507f5236a4

Watching Avatar felt like watching Indiana Jones, Jurassic Park or Star Wars for the first time when I was a kid. Back then I didn’t even really realize I was watching a movie, I felt more like one of the characters and a part of the story. Watching Avatar was like that. The 3D technology Cameron has perfected over the years makes you dive into the story so deep, you feel everything more effectively, just like when you were a child. After the movie was over my body was shaking and my heart was bounding from excitement. There’s that feeling, that high again, the reason why I love movies above all thing.

Avatar is director James Cameron’s first film in 12 years after Titanic, which was the most expensive movie of it’s time. So true to his grand style Avatar is no exception. It is clear from the start that this movie was very expensive. That being said, Cameron is one of those people who knows how to spend money wisely and in the right places. In this movie the money has gone mostly to CGI. And God knows how much money is spend on enhancing the 3D technology alone. I say money well spent, because Avatar is not only one of the most beautiful movies I have ever seen, but it is also a major breakthrough in 3D technology. The movie is so beautiful in fact that at times I was moved to near tears just by it’s beauty alone.

Although Avatar is highly entertaining it is also very anti-war and green. I might even say that the movie has a conscience. I truly admire the highly imaginative world Cameron has created for Avatar. It feels like he has thought of every tiny little thing. It’s not every day you get to see a bunch of blue people running around half naked in the jungle and not think it’s completely ridiculous. And this is one of those days.

I’m not saying that the movie is flawless or that there were no negatives, sure they were. A cynic might even say that Avatar is a movie filled with crazy patriotic soldiers, bad dialogue and a bunch of tree huggers. But who cares when you feel like you’ve just been injected with a doze of the most exquisite movie heroin. The only really negative thing about Avatar is that the movie is not meant to be watched in 2D or from you shitty TV screen, no matter how big it is. I’m already a little sad that I will never be able to see Avatar again, at least not in the right way, unless I go to the theatre again.

Oh wait, what’s that ringing sound? Oh, it’s the Oscar bells.

Top 7 SciFi settings I’d like to live in

Monday, December 14th, 2009

The-beautiful-future

Filmmakers are not the most positive bunch when it comes to future. The visions of tomorrow are rarely too encouraging – usually, it’s just death and oppressin waiting for us.

But not always! Every now and then, a sci-fi film comes up with a world to come that’s almost beararble.

Almost.

Zombie Room takes a look at the top-7 most promising days after tomorrow. Enjoy.

7. VANILLA SKY

vanillasky

You know Second Life? Yeah, it’s the hyped application where you are able to create your “second life” – you know, own a home, look cool, have actual friends and have no bad hair days. The only thing is that uh… Second Life sucks the shit out of your ass through your mouth – it’s ugly, it’s slow and it’s the birth place of the saddest Internet phenomenon out there: Second Life sex.

second-life-sex
Can’t beat the SL Sex

In Vanilla Sky future – it’s all happening. And the girls… they are not just any random pixel lumps, but look amazingly like Penelope Cruz or Cameron Diaz.

But in real life, we still have few miles to go…

6. BACK TO THE FUTURE

back-to-the-future

Hoverboards. Do I need to say more?

I do? Well, one-size-shrinks-to-fit-all -jackets!

5. MINORITY REPORT

minorityreport

In the future, there’s no crime – and even those who are planning to do them, get their asses kicked by Tom Cruise and his special pre-crime unit. But what’s even cooler is that in the future we go back to the times when working on computers actually felt like something. Instead of your boring old mactop, you need a huge room with a screen the size of a small movie theater, special gloves to operate it – and a physique of a sports hero to use things like the Internet. In Minority Report’s future, there’s no more fat nerds rotting away in their mom’s basements – these guys and girls are out on the squash range to be in enough good shape for some serious Googling.

nerdsoffuture
Nerds of the Minority Report future stay fit.

4. THE TRUMAN SHOW

trumanshow

Imagine this: no more Big Brother. No more The Bold and the Beautiful. No more crappy talent shows and no more Survivor – everything is made obsolete by the biggest reality TV show ever – The Truman Show. And what’s even better: instead of you hoping every day you pass a newspaper stand that these clowns on Big Brother, Talent and Idols would get in the same car and drive off the cliff, dying a quick but an extremely painful death – you’d actually care about the main guy! The world would be again a bit nicer place to live, and everybody wins.

Ok, it might not be the most ethical thing – but all we’re asking for is a bit of sacrifice to keep the rest of the world is happily sedated.

3. MOON

moon

In Duncan JonesMoon, everything is just fine. The world’s energy crisis has been solved: we’ve finally established a Helium-3 mining station on the Moon, so no oil or nuclear energy problems anymore!

Helium-3 is an extremely powerful source of energy which we don’t have too much on Earth, but Moon (supposedly) has quite a lot of it. And what’s even better, it only takes one guy to take care of the whole operation. It’s not like he’s going to start rebelling against Earth or anything, he’s pretty much stuck there – and even finding a replacement for him once things go wrong isn’t a problem, thanks to our friend, technology!

Again – it only takes a little bit of unselfish scarification. Come on, you can give that much to your community, right?

2. WALL-E

walle

One thing we all hate is cleaning up the mess we make. Now, in the perfect future, there would be robots to do that for you, right? In the Wall-E future, we would get on a huge spaceship travelling away from Earth – and we’d had to do absolutely nothing in order to survive. Just sit down, chat with our mates and let the ship take care of every need we come up with.

walleaxiom

And yeah, we’d be coming back to Earth one day, once the mess we made was cleaned up. And next time, we didn’t have to worry so much about things like environment etc. – the ship would stay there, so if everything would go to hell again, we could just jump onboard and come a back a few hundred years later!

1. IDIOCRACY

idiocracy

If ignorance is bliss – then Idiocracy is the ultimate utopia. In this future scenario, created by Mike Judge (of Beavis and Butt-Head fame) claiming aloud that your highest principles in life are sex and money is OK – actually, it’s considered as a damn philosophical statement! Ok, the world might be going to hell, and yeah, maybe watering your plantations with Gatorade is not the best idea out there – but hell, travelling in time there with your current brain capacity – which we both know is not much – you’d still be the combination between Einstein, Sun Tzu and Aristoteles.

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